What Happens between the Knots? A Series of Open Questions

by Huberman, Anthony; Gerrity, Jeanne

• ISBN13: 9783956796388
• ISBN10: 3956796381
• Format: Paperback
• Copyright: 2022-08-02
• Publisher: Sternberg Press
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Summary

Newly commissioned writing and artwork on the themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, dissolution and extinction, and exile.

What happens between the knots? is the third book in the annual A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis’s year-long research seasons dedicated to single artists. Each book takes the work of a single artist as its point of departure and spirals outward from there to create an expansive and carefully edited ecosystem of ideas and voices. 
 
This third issue is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.
 
Contributors
Gloria Anzaldua, Elvira Espejo Ajca, Erika Balsom, María Berrios, Marisol de la Cadena, Lynne Cooke, Miho Dohi, Ricki Dwyer, Silvia Federici, Tonya Foster, Phillip Greenlief, Sheroanawe Hakihiiwe, Brian Karl, Dionne Lee, Zoe Leonard, Rosemary Mayer, Koyoltzintli Miranda-Rivadeneira, Denise Newman, Thao Nguyen Phan, Frances Richard, Dylan Robinson, Abel Rodriguez, Oscar Santillan, Alessandra Troncone, Anna Lowenhaupt Tsing, Ignacio Valero, Jacopo Cathrine Veikos, Cecilia Vicuña, Diego Villalobos, Jacopo Crivelli Visconti, Carla Zaccagnini
 

Author Biography

Anthony Huberman is the Director and Chief Curator of the Wattis Institute for Contemporary Arts in San Francisco and Founding Director of the Artist's Institute in New York.
 
Jeanne Gerrity is the Deputy Director and Head of Publications at the Wattis and has written for such publications as Artforum, Art Agenda, and Frieze.