Why Poetry Matters

by Jay Parini

• ISBN13: 9780300124231
• ISBN10: 0300124236
• Format: Trade Book
• Copyright: 2008-04-22
• Publisher: Yale University Press

Summary

Poetry doesn't matter to most people, observes Jay Parini at the opening of this book. But, undeterred, he commences a deeply felt meditation on poetry, its language and meaning, and its power to open minds and transform lives. By the end of the book, Parini has recovered a truth often obscured by our clamorous culture: without poetry, we live only partially, not fully conscious of the possibilities that life affords. Poetry indeed matters. A gifted poet and acclaimed teacher, Parini begins by looking at defenses of poetry written over the centuries. He ponders Aristotle, Horace, and Longinus, and moves on through Sidney, Wordsworth, Coleridge, Shelley, Eliot, Frost, Stevens, and others. Parini examines the importance of poetic voice and the mysteries of metaphor. He argues that a poet's originality depends on a deep understanding of the traditions of political poetry, nature poetry, and religious poetry. Writing with a casual grace, Parini avoids jargon and makes his case in concise, direct terms: the mind of the poet supplies a light to the minds of others, kindling their imaginations, helping them to live their lives. The author's love of poetry suffuses this insightful booka volume for all readers interested in a fresh introduction to the art that lies at the center of Western civilization.

Author Biography

Jay Parini, a poet, novelist, and biographer, is D. E. Axinn Professor of English at Middlebury College. Among his many books are five volumes of poetry, most recently The Art of Subtraction: New and Selected Poems. His poems, articles, and reviews appear regularly in such journals as the Atlantic, the New Yorker, Harper’s, Poetry, the New York Times Book Review, the Guardian, and the Times Literary Supplement. He lives in Weybridge, VT.

Table of Contents

Preface	p. ix
Defending Poetry	p. 1
Language	p. 23
The Personal Voice	p. 43
The Way of Metaphor	p. 65
Tradition and Originality	p. 79
Form and Freedom	p. 99
The Politics of Poetry	p. 115
A Natural World	p. 133
Divine Parameters: A Reading of Four Quartets	p. 155
Conclusion	p. 177
Notes	p. 183
Acknowledgments	p. 190
Index	p. 191
Credits	p. 205
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