Foreword | p. xv |
Introduction | p. xix |
From Person, Place, and Thing (1942) | |
The Dome of Sunday | p. 3 |
Washington Cathedral | p. 5 |
Auto Wreck | p. 7 |
Hospital | p. 9 |
The Fly | p. 11 |
University | p. 13 |
Drug Store | p. 15 |
Haircut | p. 16 |
Waitress | p. 17 |
Buick | p. 18 |
Israfel | p. 19 |
Mongolian Idiot | p. 20 |
Necropolis | p. 21 |
October I | p. 22 |
Epitaph for John and Richard | p. 24 |
Emporium | p. 25 |
Death of Emma Goldman | p. 26 |
The Contraband | p. 27 |
Elegy for Two Banjos | p. 28 |
Scyros | p. 30 |
The Glutton | p. 32 |
Poet | p. 33 |
Travelogue for Exiles | p. 36 |
Midnight Show | p. 37 |
Conscription Camp | p. 39 |
The Twins | p. 42 |
Nostalgia | p. 43 |
A Cut Flower | p. 44 |
From V-Letter and Other Poems (1944) | |
Troop Train | p. 47 |
Christmas Eve: Australia | p. 49 |
Piano | p. 50 |
Magician | p. 51 |
Red Indian | p. 53 |
Full Moon: New Guinea | p. 54 |
The Gun | p. 55 |
The Second-Best Bed | p. 56 |
Fireworks | p. 58 |
Lord, I Have Seen Too Much | p. 59 |
Franklin | p. 60 |
Jefferson | p. 61 |
Sunday: New Guinea | p. 62 |
Jew | p. 63 |
Shylock | p. 64 |
The Synagogue | p. 65 |
The Interlude | p. 67 |
The Intellectual | p. 69 |
V-Letter | p. 71 |
Elegy for a Dead Soldier | p. 73 |
From Trial of a Poet (1947) | |
Homecoming | p. 81 |
The Conscientious Objector | p. 83 |
The Progress of Faust | p. 84 |
In the Waxworks | p. 86 |
D.C. | p. 88 |
The Convert | p. 90 |
Boy-Man | p. 92 |
The Southerner | p. 94 |
Recapitulations | p. 96 |
From Poems 1940-1953 (1953) | |
Israel | p. 103 |
The Minute | p. 104 |
The Figurehead | p. 106 |
The Potomac | p. 108 |
Going to School | p. 109 |
From Poems of a Jew (1958) | |
The Alphabet | p. 115 |
Messias | p. 116 |
The Confirmation | p. 117 |
The First Time | p. 119 |
The Murder of Moses | p. 120 |
From The Bourgeois Poet (1964) | |
Solipsism | p. 125 |
The Bourgeois Poet | p. 126 |
The Living Rooms of My Neighbors | p. 127 |
The Wood | p. 128 |
The Clearing | p. 129 |
Hair | p. 130 |
Beautiful Thing | p. 131 |
Office Love | p. 132 |
High School | p. 133 |
The Child Who Is Silent | p. 134 |
Generations | p. 135 |
I Am an Atheist Who Says His Prayers | p. 136 |
My Century | p. 138 |
Amsterdam Whores | p. 139 |
Jazz | p. 140 |
Nebraska | p. 141 |
The Cracking-Plant | p. 142 |
Burlesk | p. 143 |
Bouquet | p. 144 |
Fox Hole | p. 145 |
The Nature of Belief | p. 146 |
French Poetry | p. 147 |
Baudelaire in Iowa | p. 148 |
Randall Jarrell | p. 149 |
Clowning | p. 150 |
Roethke | p. 151 |
Poets' Corner | p. 152 |
Glad Hand | p. 153 |
Fame | p. 154 |
The Funeral of Poetry | p. 155 |
From Selected Poems (1968) | |
Manhole Covers | p. 159 |
Calling the Child | p. 160 |
Lines for a Unitarian Church | p. 161 |
Bad Taste, Inc. | p. 162 |
Human Nature | p. 163 |
You Call These Poems? | p. 164 |
Emily Dickinson and Katherine Anne Porter | p. 165 |
California Winter | p. 166 |
A Selection of Poems (1969-92) | |
There Was That Roman Poet | p. 171 |
W.H.A. | p. 172 |
The Old Poet | p. 173 |
Mozart's Jew | p. 174 |
The Humanities Building | p. 175 |
Crossing Lincoln Park | p. 177 |
My Father's Funeral | p. 178 |
Moving In | p. 180 |
A Curiosity | p. 182 |
The Piano Tuner's Wife | p. 183 |
At Auden's Grave | p. 184 |
The Old Horsefly | p. 187 |
Tennyson | p. 188 |
Whitman | p. 189 |
Future-Perfect | p. 190 |
July 7, 1978 | p. 191 |
Acknowledgments | p. 193 |
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