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Editorial Policy | p. vii |
Introduction | p. ix |
Willa Cather in and out of Zane Grey's West | p. 1 |
Thea's "Indian Play" in The Song of the Lark | p. 21 |
"Jazz Age" Places: Modern Regionalism in Willa Cather's The Professor's House | p. 45 |
Changing Trains: Metaphors of Transfer in Willa Cather | p. 67 |
Chicago's Cliff Dwellers and The Song of the Lark | p. 93 |
Willa Cather and Henry Blake Fuller: More Building Blocks for The Professor's House | p. 114 |
Cather's "Office Wives" Stories and Modern Women's Work | p. 133 |
It's Mr. Reynolds Who Wishes It: Profit and Prestige Shared by Cather and Her Literary Agent | p. 158 |
Thea at the Art Institute | p. 182 |
Art and the Commercial Object as Ekphrastic Subjects in ' The Song of the Lark and The Professor's House | p. 204 |
"The Nude Had Descended the Staircase": Katherine Anne Porter Looks at Willa Carher Looking at Modern Art | p. 225 |
"The Cruelty of Physical Things": Picture Writing and Violence in Willa Cather's "The Profile" | p. 244 |
"Before Its Romanzas Have Become Street Music": Cather and Verdi's Falstaff, Chicago, 1895 | p. 266 |
Contributors | p. 289 |
Index | p. 293 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.