Acknowledgments | p. vi |
Foreword | p. 1 |
Introduction | p. 3 |
Woman as Nature | |
Gender and Nation from Past to Present: From María to Macabéa | p. 14 |
Intoxicating Outlaws: Dominance and Sexuality in Rómulo Gallegos' Doña Bárbara | p. 30 |
Through the Eyes of the Child: The Narrator of Balún Canán | p. 46 |
Woman in History | |
María Eugenia Alonso: The Modern Iphigenia Sacrificed to Society | p. 60 |
Jesusa in the Context of Testimonios: Witness to an Age or Witness to Herself? | p. 74 |
La cómplice oficial: Catalina in Angeles Mastretta's Arráncame la vida | p. 86 |
Cultural and Literary Ethos as Represented in García Lorca's La casa de Bernarda Alba | p. 101 |
Woman as the Perverse Powers of Race and Sex | |
Blackness, Otherness, Woman(ness): Sierva María de Todos los Ángeles or the Death Throes of Colonial Cartagena | p. 116 |
Gabriela, or Freedom Versus Marriage | p. 129 |
Woman and the Burden of Globalization | |
Sex and the Two Cartagenas in Óscar Collazos' Rencor | p. 146 |
Reality by the Garbage Truckload: The Case of Unica Oconitrillo | p. 162 |
Woman as the Unknowable Other | |
Women in Borges: Teodelina Villar in "El Zahir" | p. 178 |
Life Amidst the Ashes: Irene's Search for Meaning and Connection in María Flora Yáñez's Las cenizas | p. 194 |
Can the Feminine Speak? Narrating Madalena and Macabéa | p. 207 |
About the Contributors | p. 223 |
Index | p. 227 |
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