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9781403903228

The Woman's Historical Novel British Women Writers, 1900-2000

by
  • ISBN13:

    9781403903228

  • ISBN10:

    1403903220

  • Format: Hardcover
  • Copyright: 2005-03-02
  • Publisher: Palgrave Macmillan
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Supplemental Materials

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Summary

In the first major study of British women writers' use of the historical novel, Diana Wallace tracks its development across the twentieth century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.

Author Biography

Diana Wallace is Lecturer in English at the University of Glamorgan, where she teaches women's writing. She is the author of Sisters and Rivals in British Women's Fiction, 1914-39 (Macmillan, 2000).

Table of Contents

Preface ix
Acknowledgements xiii
Introduction
1(24)
The historical novel: history and criticism
8(7)
A maternal genealogy: Sophia Lee's The Recess (1783)
15(5)
The masqueraders: cross-writing, gender, costume
20(5)
Entering into History: The Woman Citizen and the Historical Novel, 1900---1929
25(28)
Gender as masquerade: Georgette Heyer's mask of romance
35(8)
Remembering the conquered: Naomi Mitchison's anti-imperialist fictions
43(10)
Histories of the Defeated: Writers Taking Sides in the 1930s
53(25)
Rooted in geography: Phyllis Bentley's regional historical fiction
62(7)
The writer as sniper: Sylvia Townsend Warner
69(9)
Writing the War and After: Wicked Ladies and Wayward Women in the 1940s
78(23)
`Trespasser in time': Daphne du Maurier's historical sense
88(6)
The new Elizabethans: Margaret Irwin's family romances
94(7)
Hollow Men and Homosexual Heroes: Exploring Masculinity in the 1950s
101(24)
Ancient history: Mary Renault's dialogic histories
108(9)
A lost leader: H.F.M Prescott's The Man on a Donkey (1952)
117(8)
The Return of the Repressed: Maternal Histories in the 1960s
125(25)
Captive women: `Jean Plaidy' and `Victoria Holt'
133(9)
Chess games: Dorothy Dunnett's Lymond Chronicles
142(8)
Selling Women's History: Popular Historical Fiction in the 1970s
150(26)
The `self-experienced' past: Catherine Cookson's social histories
159(8)
`Merlin was me': Mary Stewart's Arthurian trilogy
167(9)
`Herstory' to Postmodern Histories: History as Dissent in the 1980s
176(26)
Popular fictions: Philippa Gregory's Marxist-Feminist novels
186(8)
Postmodern histories: Rose Tremain and Jeanette Winterson
194(8)
Dialogues with the Dead: History and the `Sense of an Ending' 1990--2000
202(25)
Ventriloquising the past: A.S. Byatt's romance with history
210(9)
Hystorical men: Pat Barker's Regeneration trilogy
219(8)
Postscript 227(2)
Notes 229(8)
Bibliography 237(19)
Index 256

Supplemental Materials

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