Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction

by Tony Howard

• ISBN13: 9780521864664
• ISBN10: 0521864666
• Edition: 1st
• Format: Hardcover
• Copyright: 2007-03-12
• Publisher: Cambridge University Press

Summary

The first Hamlet on film was Sarah Bernhardt. Probably the first Hamlet on radio was Eve Donne. Ever since the late eighteenth century, leading actresses have demanded the right to play the role - Western drama's greatest symbol of active consciousness and conscience. Their iconoclasm, and Hamlet's alleged 'femininity', have fascinated playwrights, painters, novelists and film-makers from Eugéne Delacroix and the Victorian novelist Mary Braddon to Angela Carter and Robert Lepage. Crossing national and media boundaries, this book addresses the history and the shifting iconic status of the female Hamlet in writing and performance. Many of the performers were also involved in radical politics: from Stalinist Russia to Poland under martial law, actresses made Hamlet a symbol of transformation or crisis in the body politic. On stage and film, women reinvented Hamlet from Weimar Germany to the end of the Cold War. This book aims to put their half-forgotten achievements centre-stage.

Table of Contents

List of illustrations	p. vii
Preface	p. ix
Introduction. The drama of questions and the mystery of Hamlet	p. 1
The Women in Black
Playing Hamlet, writing the self	p. 35
'Is this womanly?'	p. 65
Virile spirits: Sarah Bernhardt and her inheritance	p. 98
Case Studies: Hamlet, The Actress and the Political Stage
'I am whom I play': Asta Nielsen	p. 137
'Why are you looking at me like that?': Zinaida Raikh	p. 160
Behind the arras, through the Wall: Poland 1989	p. 183
Hamlet from the margins: Spain, Turkey, Ireland	p. 206
Repression and Resurgence
Films and fictions: Hamlet, men's eyes, and the ages of woman	p. 237
Women's voices in the cathedral of culture	p. 265
Beyond silence, imagination	p. 300
Index	p. 321
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