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Acknowledgments | p. vii |
Abbreviations | p. ix |
Introduction | p. 1 |
Language | |
C. S. Lewis and the Making of Metaphor | p. 11 |
C. S. Lewis as a Student of Words | p. 29 |
The Sound of Silence: Language and Experience in Out of the Silent Planet | p. 42 |
Essential Speech: Language and Myth in the Ransom Trilogy | p. 58 |
Sanctifying the Literal: Images and Incarnation in Miracles | p. 76 |
A Lifelong Love Affair with Language: C. S. Lewis's Poetry | p. 86 |
Language and Self-Consciousness: The Making and Breaking of C. S. Lewis's Personae | p. 109 |
Narrative | |
Theology in Stories: C. S. Lewis and the Narrative Quality of Experience | p. 147 |
Orual's Story and the Art of Retelling: A Study of Till We Have Faces | p. 157 |
Bent Language in Perelandra: The Storyteller's Temptation | p. 171 |
C. S. Lewis and the Tradition of Visionary Romance | p. 182 |
Myth or Allegory? Archetype and Transcendence in the Fiction of C. S. Lewis | p. 199 |
C. S. Lewis's Ransom Stories and Their Eighteenth-Century Ancestry | p. 213 |
The Multiple Worlds of the Narnia Stories | p. 232 |
"Caught Up into the Larger Pattern": Images and Narrative Structures in C. S. Lewis's Fiction | p. 256 |
Perelandra Revisited in the Light of Modern Allegorical Theory | p. 277 |
Afterword | p. 299 |
Contributors | p. 303 |
Permissions | p. 307 |
Index | p. 309 |
Table of Contents provided by Ingram. All Rights Reserved. |
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