The World Of Scales: A Compendium Of Scales For The Modern Guitar Player

by MacLean, Don J.

• ISBN13: 9781896595078
• ISBN10: 1896595073
• Format: Paperback
• Copyright: 2005-04-01
• Publisher: Agogic Pub

Table of Contents

Preface	xv
Introduction	xvii
How to Use This Book	xviii
How to Use the Scale Forms	xviii
How To Read Tablature and Neck Diagrams	xviii
Section 1 Preliminaries
What are scales?
What are scales?	3	(1)
The Major Scale	4	(1)
Intervals	5	(5)
Interval Classification	6	(4)
Identification of Scales	10	(2)
Modalization	12	(2)
Diatonic Modes	13	(1)
The Musica Ficta Modes	14	(5)
Harmonic Minor Modes	16	(1)
Jazz Minor Modes	17	(2)
Patterns
Intervallic Patterns	19	(1)
Digital Patterns	20	(1)
Patterns Derived From Interpolation	21	(6)
Chord Construction
Chord Construction	27	(6)
Triads	29	(1)
Tetrads (Four Part Chords)	29	(1)
Ninth Chords	30	(1)
Eleventh Chords	31	(1)
Thirteenth Chords	32	(1)
Chord-Scale Relationships	33	(2)
Tetratonic Scales
Tetratonic Scales	35	(2)
Pentatonic Scales
Pentatonic Scales	37	(1)
Anhemitonic Pentatonic Scales	38	(1)
Major Pentatonic Mode I	38	(1)
Major Pentatonic Mode ii (Sus Pent)	38	(1)
Major Pentatonic Mode iii	38	(1)
Major Pentatonic Mode IV	38	(1)
Major Pentatonic Mode V (Minor Pent)	38	(1)
Chinese Pentatonic scale No. 1 (Mongolian)	38	(1)
Chinese Pentatonic scale No. 2 (Egyptian, Sus)	38	(1)
Chinese Pentatonic scale No. 3	38	(1)
Chinese Pentatonic scale No. 4	39	(1)
Chinese Pentatonic scale No. 5 (Minor)	39	(1)
Hemitonic Pentatonic Scales	39	(2)
Chinese Pentatonic scale No. 6 (Mode ii Miyako-bushi)	39	(1)
Japanese Pentatonic scale No. 1 (Kumoi-Joshi, Miyako-bushi)	39	(1)
Japanese Pentatonic scale No. 2 (Hirajoshi, Mode iii Miyako-bushi)	39	(1)
Japanese Pentatonic scale No. 3 (Mode IV Kumoi)	39	(1)
Japanese Pentatonic scale No. 4 (Iwato, Mode IV Miyako-bushi)	39	(1)
Japanese Pentatonic scale No. 5 (In)	39	(1)
Japanese Pentatonic scale No. 6 (Yo)	39	(1)
Indonesian Pentatonic scale No.1 (Pelog)	40	(1)
Indonesian Pentatonic scale No. 2	40	(1)
Indonesian Pentatonic scale No. 3	40	(1)
Hawaiian Pentatonic scale (Kumoi)	40	(1)
Hexatonic Scales
Hexatonic Scales	41	(2)
Augmented scale mode I (Sixtone Symmetrical)	41	(1)
Augmented scale mode ii (Sixtone Symmetrical)	41	(1)
Prometheus	41	(1)
Prometheus Neapolitan	41	(1)
Whole-tone	41	(1)
Blues	41	(1)
Sus 4	41	(2)
Heptatonic Scales
Heptatonic Scales	43	(1)
Diatonic Modes	43	(1)
Mode I Ionian	43	(1)
Mode ii Dorian	43	(1)
Mode iii Phrygian	43	(1)
Mode IV Lydian	43	(1)
Mode V Mixolydian	43	(1)
Mode vi Aeolian	43	(1)
Mode vii Locrian	43	(1)
Harmonic Minor Modes	44	(1)
Mode I Harmonic Minor	44	(1)
Mode ii Locrian Natural 6	44	(1)
Mode iii Ionian Augmented	44	(1)
Mode IV Dorian #4	44	(1)
Mode V Mixolydian b9 b13	44	(1)
Mode vi Lydian #9	44	(1)
Mode vii Altered Dominant bb7	44	(1)
Jazz Minor Modes	45	(1)
Mode I Jazz Minor	45	(1)
Mode ii Dorian b2	45	(1)
Mode iii Lydian Augmented	45	(1)
Mode IV Lydian b7	45	(1)
Mode V Mixolydian b13	45	(1)
Mode vi Locrian Natural 9	45	(1)
Mode vii Altered Dominant	45	(1)
Tarz-nwin (Locrian nat 6, Mode ii Harmonic Minor)	46	(1)
Hejaz (Mixolydian b9 b13, Mode V Harmonic Minor, Phrygian Major, Phrygian Dominant, Spanish, Gypsy)	46	(1)
Nikris (Dorian #4, Mode IV Harmonic Minor, Rumanian Minor)	46	(1)
Lydian b7 (Mode IV Jazz Minor, Overtone scale, Mixolydian #4, Lydian Dominant)	46	(1)
Musta-ar (Lydian #9, Mode vi Harmonic Minor)	46	(1)
Javanese (Mode ii Jazz Minor, Dorian b2)	46	(1)
Hindustan (Mixolydian b6, Mode V Jazz Minor, Hindu)	46	(1)
Hejaz-Kar (Byzantine, Double Harmonic, Gypsy)	47	(1)
Purvi	47	(1)
Todi	47	(1)
Saba	47	(1)
Hungarian Major (Hungarian)	47	(1)
Hungarian Gypsy No. 1 (Hungarian Minor, Mode IV Hejaz-Kar)	47	(1)
Hungarian Gypsy No. 2	47	(1)
Harmonic Major (Suzinak)	47	(1)
Spanish Dominant (Mode iii Harmonic Major)	47	(1)
Smyrneiko (Mode IV Harmonic Major)	48	(1)
Mixolydian b9 (Mode V Harmonic Major)	48	(1)
Enigmatic	48	(1)
Major Locrian (Arabian)	48	(1)
Lydian Minor (Mode vii Major Locrian)	48	(1)
Leading Whole-tone (Mode V Major Locrian)	48	(1)
Persian (Mode V Todi)	48	(1)
Oriental No. 1 (Mode ii Hungarian Gypsy No. 2)	48	(1)
Oriental No. 2 (Mode V Hejaz-Kar)	48	(1)
Neapolitan Major (Mode IV Major Locrian)	48	(1)
Neapolitan Minor (Harmonic Phygian, Mode V Hungarian Gypsy No. 2)	48	(1)
Composite Blues	48	(1)
Miscellany
Octatonic Scales	49	(1)
Whole-half Diminshed	49	(1)
Half-whole Diminished	49	(1)
Arabian	49	(1)
Japanese (Ichikotsucho)	49	(1)
The Bebop Scale	49	(1)
Major Bebop	49	(1)
Dorian Bebop	50	(1)
Mixolydian Bebop No. 1	50	(1)
Mixolydian Bebop No. 2	50	(1)
The Chromatic Scale	50	(5)
Section 2 The Scale Forms
Pentatonic Scale Forms
Anhemitonic Pentatonic Scales
Major Pentatonic Mode I (Chinese Pentatonic scale No. 1, Mongolian)	55	(1)
Sus 4 Pentatonic (Chinese Pentatonic scale No. 2, Egyptian, Mode ii Major Pentatonic)	56	(1)
Major Pentatonic Mode iii (Chinese Pentatonic scale No. 3)	57	(1)
Major Pentatonic Mode IV (Chinese Pentatonic scale No. 4)	58	(1)
Minor Pentatonic (Chinese Pentatonic scale No. 5, Major Pentatonic Mode V)	59	(1)
Hemitonic Pentatonic Scales
Chinese Pentatonic scale No. 6 (Mode ii Miyako-bushi)	60	(1)
Miyako-bushi (Japanese Pentatonic scale No. 1, Kumoi-Joshi)	61	(1)
Hirajoshi (Japanese Pentatonic scale No. 2, Mode iii Miyako-bushi)	62	(1)
Japanese Pentatonic scale No. 3 (Mode IV Kumoi)	63	(1)
Iwato (Japanese Pentatonic scale No. 4, Mode IV Miyako-bushi)	64	(1)
In (Japanese Pentatonic scale No. 5)	65	(2)
Yo (Japanese Pentatonic scale No. 6)	67	(2)
Pelog (Indonesian Pentatonic scale No. 1)	69	(1)
Indonesian Pentatonic scale No. 2	70	(1)
Indonesian Pentatonic scale No. 3	71	(1)
Kumoi (Hawaiian scale)	72	(3)
Hexatonic Scale Forms
Augmented scale mode I (Sixtone Symmetrical)	75	(1)
Augmented scale mode ii (Sixtone Symmetrical)	75	(1)
Prometheus	76	(1)
Prometheus Neapolitan	77	(1)
Whole-tone	78	(1)
Blues	79	(1)
Sus 4	80	(3)
Heptatonic Scale Forms
Diatonic Modes
Mode I Ionian	83	(1)
Mode I Ionian (Three Notes Per String Fingerings)	84	(1)
Mode ii Dorian	85	(1)
Mode iii Phrygian	86	(1)
Mode IV Lydian	87	(1)
Mode V Mixolydian	88	(1)
Mode vi Aeolian (Minor Scale)	89	(1)
Mode vi Aeolian (Three Notes Per String Fingerings)	90	(1)
Mode vii Locrian	91	(1)
Harmonic Minor Modes
Mode I Harmonic Minor	92	(1)
Mode I Harmonic Minor (Three Notes Per String Fingerings)	93	(1)
Mode ii Locrian Natural 6 (Tarz-nwin)	94	(1)
Mode iii Ionian Augmented	95	(1)
Mode IV Dorian #4 (Nikris, Rumanian Minor)	96	(1)
Mode V Mixolydian b9 b13 (Hejaz, Phrygian Major, Spanish, Gypsy)	97	(1)
Mode vi Lydian #9 (Musta-ar)	98	(1)
Mode vii Altered Dominant bb7	99	(1)
Jazz Minor Modes
Mode I Jazz Minor (Real Melodic Minor)	100	(1)
Mode I Jazz Minor (Three Notes Per String Fingerings)	101	(1)
Mode ii Dorian b2 (Javanese)	102	(1)
Mode iii Lydian Augmented	103	(1)
Mode IV Lydian b7 (Overtone scale, Mixolydian #4, Lydian Dominant)	104	(1)
Mode V Mixolydian b13 (Mixolydian b6 Hindustan, Hindu)	105	(1)
Mode vi Locrian Natural 9 (Locrian #9, Locrian Natural 2, Locrian Natural 9)	106	(1)
Mode vii Altered Dominant (Super Locrian)	107	(1)
Hejaz-Kar (Byzantine, Double Harmonic, Gypsy)	108	(1)
Purvi	109	(1)
Todi	110	(1)
Saba	111	(1)
Hungarian Major (Hungarian)	112	(1)
Hungarian Gypsy No. 1 (Hungarian Minor, Mode IV Hejaz-Kar)	113	(1)
Hungarian Gypsy No. 2	114	(1)
Harmonic Major (Suzinak)	115	(1)
Spanish Dominant (Mode iii Harmonic Major)	116	(1)
Smyrneiko (Mode IV Harmonic Major)	117	(1)
Mixolydian b9 (Mode V Harmonic Major)	118	(1)
Enigmatic	119	(1)
Major Locrian (Arabian)	120	(1)
Lydian Minor (Mode vii Major Locrian)	121	(1)
Leading Whole-tone (Mode V Major Locrian)	122	(1)
Persian (Mode V Todi)	123	(1)
Oriental No. 1 (Mode ii Hungarian Gypsy No. 2)	124	(1)
Oriental No. 2 (Mode V Hejaz-Kar)	125	(1)
Neapolitan Major (Mode IV Major Locrian)	126	(1)
Neapolitan Minor (Harmonic Phygian, Mode V Hungarian Gypsy No. 2)	127	(1)
Composite Blues	128	(3)
Miscellaneous Scale Forms
Octatonic Scales Forms
Half-whole Diminished	131	(1)
Whole-half Diminished	131	(1)
Arabian	132	(1)
Japanese (Ichikotsucho)	133	(1)
The Bebop Scales	134	(5)
Major Bebop	135	(1)
Dorian Bebop	135	(1)
Mixolydian Bebop No. 1	136	(1)
Mixolydian Bebop No. 2	137	(2)
The Chromatic Scale	139	(2)
Index	141