Introduction | p. 10 |
Scaling the Everest of prices | p. 13 |
The power of the media | p. 15 |
The art market and its long history | p. 22 |
Art and money: an infernal couple | p. 24 |
Buyers and Prices | p. 26 |
Collectors in tune with their times | p. 27 |
The art market and acquired knowledge | p. 31 |
Picasso, the ultimate benchmark | p. 32 |
Buyers prefer artists from their own country | p. 35 |
The current mood and economy arouse sleeping empires | p. 39 |
Little tales of big buyers | p. 48 |
The new lifestyle in contemporary art | p. 48 |
Avant-garde taste dictated by a little old lady | p. 51 |
Saatchi, a collector of collections | p. 53 |
Discreet but efficient | p. 58 |
Museums buy, prices rise | p. 61 |
New people knocking at the door | p. 64 |
The Seller and the price | p. 68 |
Chic collections | p. 69 |
On the planet of decorative arts | p. 73 |
The French situation | p. 77 |
The Intermediary and the price | p. 80 |
Auction houses: the Shivas of the art market | p. 82 |
Auction houses: driving the market to the limit | p. 83 |
The keys to credibility for auction sales | p. 87 |
The auction house as private dealer | p. 92 |
The dealer is a brand | p. 94 |
The fair: the art market's new battlefield | p. 99 |
The Artist and the price | p. 106 |
The price of immaterial art | p. 108 |
The artist myth | p. 111 |
To be or not to be (a professional artist) | p. 114 |
Conclusion | p. 126 |
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