Wouldn't It Be Nice : Brian Wilson and the Making of the Beach Boys' Pet Sounds

by Unknown

• ISBN13: 9781556525070
• ISBN10: 1556525079
• Format: Trade Paper
• Copyright: 2003-10-01
• Publisher: Chicago Review Press

Summary

"This illuminating book offers unique insight into the making of the seminal album Pet Sounds, revealing the intimate processes that went into its creation and featuring brand-new interviews with key players. From conception and composition to arrangement and production, the ways in which Pet Sounds changed the face of American popular music are chronicled. While Pet Sounds carries the tag of being a Beach Boys record, this lively exposé reveals just how little input the rest of the band had in its recording. Illustrating Brian Wilson's prodigious talent, the book chronicles his ability to turn his back on the protest songs and folk-rock of his contemporaries, and even on the bright surf sound of his own creation, in order to reach deep within himself to make music that struck an emotional chord and touched people's souls. Wilson's ability to embrace the rapidly advancing recording technology of the 1960s and to expertly blend rock 'n' roll, rhythm and blues, and jazz sounds with velvety harmonies and sensitive melodies to create a brand-new studio sound are discussed. An intimate portrait of Wilson's family, breakdown, and drug use is included."

Author Biography

Charles L. Granata is a record producer, music historian, and author of the award-winning Sessions with Sinatra: Frank Sinatra and the Art of Recording as well as numerous essays on popular music and the history of sound recording. He lives in Livingston, New Jersey, with his wife and two daughters.

Table of Contents

Foreword	p. 7
Preface	p. 12
Early History	p. 19
Fresh Sounds	p. 33
Turning Points	p. 44
Writing the Album	p. 69
The Making of Pet Sounds	p. 115
Pet Sounds Arrives	p. 184
Brian's In-Between Years (1967-1990)	p. 204
Pet Sounds Revisited	p. 218
Brian is Back	p. 227
Epilogue	p. 235
Acknowledgments	p. 239
Selected Bibliography	p. 245
Index	p. 249
Song Credits	p. 256
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