Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
What is included with this book?
Introduction | p. 1 |
1920s | p. 3 |
Why I Rejected Ten Thousand Manuscripts, March 1921 | p. 4 |
How to Plot a Story When You See It, December 1923 | p. 9 |
The Author and His Style, January 1924 | p. 13 |
Poetry and Verse: A Distinction, December 1926-January 1927 | p. 16 |
The "Had Horrors", July 1927 | p. 25 |
Three Secrets of Successful Fiction Writing, February 1928 (impressions, mingling, sympathy) | p. 31 |
1930s | p. 33 |
How to Write Mystery Stories, The Writer's 1930 Yearbook | p. 34 |
Write With Simplicity, The Writer's 1931 Yearbook | p. 38 |
The Working Philosophy of a Playwright (as told to Bernice Breen), April 1931 | p. 41 |
Creating "Lovable" Characters, March 1938 | p. 44 |
Within Quotes, August 1938 (dialogue) | p. 46 |
Accent on the Unusual, December 1938 (articles) | p. 55 |
Down With Modesty, August 1939 (characterization) | p. 60 |
1940s | p. 66 |
Setting the Pace, July 1941 | p. 67 |
Plots the Triple-O Way, The Writer's 1945 Yearbook | p. 74 |
What Happened?, March 1945 | p. 79 |
The Ten Deadly Sins, August 1946 | p. 84 |
Write It Simply, March 1946 | p. 90 |
How to Become a Character, The Writer's 1949 Yearbook | p. 97 |
1950s | p. 104 |
Only One "Must", February 1950 | p. 105 |
1 Brain + 1 Brain + 1 Brain = Viewpoint, July 1951 | p. 109 |
How to Plot a Novel, January 1954 | p. 115 |
How to Break Up a Conversation, May 1954 | p. 123 |
Research in Reverse, March 1956 | p. 128 |
An Article Is Like a Sideshow, November 1958 | p. 134 |
How I Write | p. 140 |
Seventy-Five Years of Writing Advice selected by the Editors of Writer's Digest | p. 141 |
1960s | p. 169 |
What Way I Write!, October 1960 | p. 170 |
The Short Story From a Purely Impersonal View, The Writer's 1961 Yearbook | p. 173 |
The Importance of Plot in the Novel, December 1965 | p. 179 |
Organizing Your Material, March 1966 | p. 181 |
Themes in the Traditional Novel, May 1966 | p. 191 |
Keep It Brief and Blend It In, July 1969 | p. 198 |
1970s | p. 206 |
Eight Types of How-to Articles and How to Write Them, November 1970 | p. 207 |
Sensory Detail in Your Writing, May 1972 | p. 215 |
Ten Rules for Suspense Fiction, February 1973 | p. 220 |
The Horror Market Writer and the Ten Bears, November 1973 | p. 224 |
Take Five: The Most Common Mistakes Among Beginning Freelancers, February 1976 | p. 229 |
Writing Science Fiction: Think Like an Alien, Write Like an Angel, February 1976 | p. 234 |
Where Do You Get Your Ideas?, September 1976 | p. 243 |
The Poetry of Concrete, October 1976 | p. 251 |
1980s | p. 256 |
To Make a Short Story Long . . ., September 1980 | p. 257 |
The Seven Beacons of Excellent Writing, April 1984 | p. 266 |
Your Future as a Writer, May 1986 | p. 276 |
How to Write Blockbuster Novels, October 1986 | p. 283 |
Writing About Science, January 1989 | p. 291 |
Eight Ingredients of Powerful Nonfiction, September 1989 | p. 300 |
1990s | p. 308 |
Romantic Encounters, October 1991 | p. 309 |
The Big Finish, February 1992 | p. 315 |
Truth and the Writer (Young and Old), The Writer's 1961 and 1990 Yearbooks | p. 323 |
Index | p. 335 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.