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Preface | p. vii |
The Contexts of Teaching | |
Perspectives | |
Four Philosophies of Composition | p. 3 |
Rhetoric and Ideology in the Writing Class | p. 9 |
Rhetoric, the Enabling Discipline | p. 26 |
The Problematic of Experience: Redefining Critical Work in Ethnography and Pedagogy | p. 36 |
Teachers | |
Embracing Contraries in the Teaching Process | p. 54 |
The Listening Eye: Reflections on the Writing Conference | p. 66 |
Reading Students, Reading Ourselves: Revising the Teacher's Role in the Writing Class | p. 72 |
Ethical Issues Raised by Students' Personal Writing | p. 87 |
Students | |
Diving In: An Introduction to Basic Writing | p. 94 |
Strangers in Academia: The Experiences of Faculty and ESL Students Across the Curriculum | p. 100 |
The Persistence of Difference in Networked Classrooms: Non-Negotiable Difference and the African American Student Body | p. 113 |
Locations | |
The Risky Business of Group Work | p. 123 |
The Rhetoric of Technology and the Electronic Writing Class | p. 129 |
Talking in the Middle: Why Writers Need Writing Tutors | p. 139 |
Approaches | |
Redefining the Legacy of Mina Shaughnessy: A Critique of the Politics of Linguistic Innocence | p. 152 |
Conversations with Texts: Reading in the Teaching of Composition | p. 163 |
A Place for Literature in Freshman Composition | p. 175 |
Experience as Evidence: Teaching Students to Write Honestly and Knowledgeably about Public Issues | p. 180 |
The Teaching of Writing | |
Assigning | |
Remedial Writing Courses: A Critique and a Proposal | p. 193 |
A Comment and Response on "Remedial Writing Courses" | p. 212 |
The "Research Paper" in the Writing Course: A Non-Form of Writing | p. 216 |
Teaching Argument: A Theory of Types | p. 222 |
Beyond Argument in Feminist Composition | p. 231 |
Responding and Assessing | |
The Components of Written Response: A Practical Synthesis of Current Views | p. 243 |
The Study of Error | p. 258 |
Learning How to Teach: A Progress Report | p. 273 |
Composing and Revising | |
Between the Drafts | p. 279 |
Writing and Knowing: Toward Redefining the Writing Process | p. 286 |
Collaboration and the Pedagogy of Disclosure | p. 294 |
Audiences | |
The Meanings of "Audience" | p. 310 |
Audience Addressed/Audience Invoked: The Role of Audience in Composition Theory and Pedagogy | p. 320 |
Closing My Eyes as I Speak: An Argument for Ignoring Audience | p. 335 |
Styles | |
Static Abstractions and Composition | p. 353 |
Teaching Style: A Possible Anatomy | p. 368 |
Revitalizing Style: Toward a New Theory and Pedagogy | p. 374 |
Use Definite, Specific, Concrete Language | p. 384 |
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