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9780300114409

Writings on Art

by ;
  • ISBN13:

    9780300114409

  • ISBN10:

    0300114400

  • Format: Trade Book
  • Copyright: 2006-04-28
  • Publisher: Yale University Press
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Summary

While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimedThe Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication.Writings on Artfills this significant void; it includes some 90 documentsincluding short essays, letters, statements, and lectureswritten by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko'sThe Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.

Author Biography

Mark Rothko was born in Russia and came to the United States with his family in 1913. A major figure in New York’s Abstract Expressionist movement, he has been the subject of retrospectives at the Museum of Modern Art, the National Gallery of Art, Washington, the Guggenheim Museum, and other major museums around the world. Miguel López-Remiro is an independent scholar living in Spain.


Table of Contents

ACKNOWLEDGMENTS viii
INTRODUCTION ix
NOTE TO THE READER xvii
"New Training for Future Artists and Art Lovers," 1934 1(3)
"Scribble Book," ca. 1934 4(10)
Sketchbook, ca. 1934 14(2)
The Ten: Whitney Dissenters, 1938 16(2)
"A comparative analysis," ca. 1941 18(4)
"The ideal teacher," ca. 1941 22(3)
"Indigenousness," ca. 1941 25(3)
"The satisfaction of the creative impulse," ca. 1941 28(2)
Manuscript drafts of a letter to the editor by Rothko and Adolph Gottlieb, 1943 30(5)
Rothko and Gottlieb's letter to the editor, 1943 35(2)
"The Portrait and the Modern Artist," by Rothko and Adolph Gottlieb, 1943 37(4)
Comments on The Omen of the Eagle, 1943 41(1)
Brief autobiography, ca. 1945 42(1)
Letter to Emily Genauer, 1945 43(1)
"I adhere to the reality of things," 1945 44(1)
Personal statement, 1945 45(1)
Letter to the editor, 1945 46(1)
Letter to Barnett Newman, 1945 47(1)
Introduction to First Exhibition Paintings: Clyfford Still, 1946 48(1)
Letter to Barnett Newman, June 1946 49(1)
Letter to Barnett Newman, August 1946 50(2)
Letter to Barnett Newman, 1947 52(1)
Letter to Herbert Ferber, 1947 53(2)
Letter to Clay Spohn, 1947 55(2)
"The Ides of Art: The Attitudes of Ten Artists on Their Art and Contemporaneousness," 1947 57(1)
"The romantics were prompted," 1947 58(2)
Letter to Clay Spohn, February 1948 60(2)
Letter to Clay Spohn, May 1948 62(1)
Letter to Barnett Newman, 1949 63(1)
Letter to Clay Spohn, 1949 64(1)
"Statement on His Attitude in Painting," 1949 65(1)
Letter to Barnett Newman, April 1950 66(2)
Letter to Barnett Newman, June 1950 68(1)
Letter to Barnett Newman, July 1950 69(1)
Letter to Barnett Newman, August 7, 1950 70(2)
Letter to Barnett Newman, August 1950 72(2)
"How to Combine Architecture, Painting, and Sculpture," 1951 74(1)
Notes from an interview by William Seitz, 1952 75(5)
Letter to Herbert Ferber, August 1952 80(2)
Letter to Herbert Ferber, September 1952 82(1)
Letter to Lloyd Goodrich, 1952 83(2)
Notes from an interview by William Seitz, March 1953 85(1)
Notes from an interview by William Seitz, April 1953 86(3)
Letter to Katharine Kuh, May 1954 89(1)
Letter to Katharine Kuh, July 14, 1954 90(2)
Letter to Katharine Kuh, July 28, 1954 92(2)
Letter to Katharine Kuh, ca. August 1954 94(1)
Letter to Petronel Lukens, August 1954 95(1)
Letter to Petronel Lukens, September 1954 96(2)
Letter to Katharine Kuh, September 20, 1954 98(1)
Letter to Katharine Kuh, September 25, 1954 99(2)
Letter to Katharine Kuh, September 27, 1954 101(1)
Letter to Katharine Kuh, October 20, 1954 102(1)
Letter to Katharine Kuh, October 23, 1954 103(1)
Letter to Katharine Kuh, November 1954 104(1)
Letter to Katharine Kuh, December 1954 105(2)
Letter to Petronel Lukens, December 1954 107(1)
Letter to Katharine Kuh, ca. 1954 108(1)
"Whenever one begins to speculate," ca. 1954 109(2)
"Relation to one's own past," ca. 1954 111(1)
"Space in painting," ca. 1954 112(1)
Letter to Katharine Kuh, 1955 113(1)
Letter to Herbert Ferber, July 7, 1955 114(2)
Letter to Herbert Ferber, July 11, 1955 116(2)
Letter to Lawrence Calcagno, 1956 118(1)
Notes from a conversation with Selden Rodman, 1956 119(2)
Letter to Herbert Ferber, 1957 121(2)
Letter to Rosalind Irvine, 1957 123(1)
Letter to the editor, 1957 124(1)
Address to Pratt Institute, 1958 125(4)
Letter to Ida Kohlmeyer, ca. 1958 129(1)
John Fischer, "The Easy Chair: Mark Rothko, Portrait of the Artist as an Angry Man," 1970 130(9)
Letter to Herbert Ferber and Bernard Reis, 1959 139(2)
Letter to Elise Asher and Stanley Kunitz, 1959 141(1)
Letter to Milton Avery, 1960 142(1)
Notecards, ca. 1950-1960 143(2)
Letter to the Whitechapel Gallery, 1961 145(2)
"A Talk with Mark Rothko," 1961 147(1)
Letter to Herbert Ferber, 1962 148(1)
Tribute to Milton Avery, 1965 149(2)
Letter to Bernard Reis, 1966 151(1)
Letter to Norman Reid, 1966 152(1)
Letter to Herbert Ferber, July 7, 1967 153(2)
Letter to, Herber Ferber, July 19, 1967 155(1)
Letter to Elise Asher and Staniey Kunitz 1967 156(1)
Acceptance of Yale University honorary doctorate, 1969 157(2)
CHRONOLOGY 159(10)
INDEX 169

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