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9781400077274

Yellow Dog

by
  • ISBN13:

    9781400077274

  • ISBN10:

    1400077273

  • Edition: Reprint
  • Format: Paperback
  • Copyright: 2005-01-04
  • Publisher: Vintage

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Summary

Brilliant, painful, dazzling, and funny as hell,Yellow Dogis Martin Amis' highly anticipated first novel in seven years and a stunning return to the fictional form. When "dream husband" Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head injury, and personality change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system -- one among many to be found in these pages. We are introduced to the inverted worlds of the "yellow" journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; and the porno tycoon, Cora Susan. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zhezun; his fifteen-year-old daughter, Victoria, the victim of a filmed "intrusion" that rivets the world -- because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive ofYellow Dog. If, in the 21st century, the moral reality is changing, then the novel is changing too, whether it likes it or not.Yellow Dogis a model of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable. Patriarchy, and the entire edifice of masculinity; the enormous category-error of violence, arising between man and man; the tortuous alliances between men and women; and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny. Meo heard no footsteps; what he heard was the swish, the shingly soft-shoe of the hefted sap. Then the sharp two-finger prod on his shoulder. It wasn't meant to happen like this. They expected him to turn and he didn't turn -- he half-turned, then veered and ducked. So the blow intended merely to break his cheekbone or his jawbone was instead received by the cranium, that spacey bulge (in this instance still quite marriageably forested) where so many delicate and important powers are so trustingly encased. He crashed, he crunched to his knees, in obliterating defeat. . . .-- fromYellow Dog From the Hardcover edition.

Author Biography

Martin Amis’ most recent book was Koba the Dread. He lives in London.

Table of Contents

PART I
CHAPTER ONE
1. Renaissance Man
3(12)
2. Hal Nine
15(7)
3. Clint Smoker
22(10)
101 Heavy
32(1)
CHAPTER TWO
1. The transfer to Trauma
33(7)
2. Doing Beryl
40(10)
3. On the Royal Train
50(9)
101 Heavy
59(3)
CHAPTER THREE
1. The publicity of knowledge
62(7)
2. The high-IQ moron
69(9)
3. Excalibur
78(10)
101 Heavy
88(1)
CHAPTER FOUR
1. The thing which is called world
89(13)
2. His Voluminousness
102(13)
3. Cold Blow Lane
115(15)
101 Heavy
130(2)
CHAPTER FIVE
1. In the master bedroom
132(13)
2. Storm in a teacup
145(13)
3. Car-sweat
158(16)
101 Heavy
174(5)
PART II
CHAPTER SIX
1. The Decembrist
179(4)
2. Cora Susan
183(5)
3. Denizen
188(2)
4. At Ewelme
190(2)
5. 101 Heavy
192(2)
6. Apologia-1
194(6)
7. We two
200(3)
8. Use Your Head
203(4)
9. Epithalamium
207(5)
CHAPTER SEVEN
1. We will go quietly
212(5)
2. Weird sister
217(3)
3. King Bastard
220(3)
4. Cora's call on Pearl
223(3)
5. Its Not Unusual
226(5)
6. Size zero-1
231(7)
7. Size zero-2
238(7)
8. Not knowing again
245(3)
9. To Otherville
248(6)
CHAPTER EIGHT
1. 101 Heavy
254(1)
2. The face has holes in it
255(5)
3. Apologia-2: Keith the Snake
260(6)
4. Yellow Tongue
266(9)
5. Cur moment
275(4)
6. 101 Heavy
279(6)
PART III
CHAPTER NINE
1. The syrups of the sky
285(5)
2. Sickout at Dolorosa Drive
290(3)
3. The principle of lullabies
293(6)
4. Anger of the just
299(5)
5. The Sextown Sniper
304(2)
6. Men in power
306(3)
CHAPTER TEN
1. 101 Heavy
309(1)
2. Clint prepares
310(1)
3. Waking in the cold
311(1)
4. Leather on willow
312(1)
5. 101 Heavy
313(1)
6. What do princesses want?
314(2)
7. Simon Finger
316(1)
8. The vestal follow
317(4)
9. 101 Heavy
321(2)
LAST CHAPTER
1. Courtly love
323(3)
2. k8
326(2)
3. The edge of the earth
328(2)
4. 101 Heavy
330(2)
5. Yellow dog
332(6)
6. When they were small
338

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

CHAPTER ONE

1. Renaissance Man


But I go to Hollywood but I go to hospital, but you are first but you are last, but he is tall but she is small, but you stay up but you go down, but we are rich but we are poor, but they find peace but they find . . .

Xan Meo went to Hollywood. And, minutes later, with urgent speed, and accompanied by choric howls of electrified distress, Xan Meo went to hospital. Male violence did it.


'I'm off out, me,' he told his American wife Russia.

'Ooh,' she said, pronouncing it like the French for where.

'Won't be long. I'll bath them. And I'll read to them too. Then I'll make dinner. Then I'll load the dishwasher. Then I'll give you a long backrub. Okay?'

'Can I come?' said Russia.

'I sort of wanted to be alone.'

'You mean you sort of wanted to be alone with your girl-friend.

' Xan knew that this was not a serious accusation. But he adopted an ill-used expression (a thickening of the forehead), and said, not for the first time, and truthfully so far as he knew, 'I've got no secrets from you, kid.'

'. . . Mm,' she said, and offered him her cheek.

'Don't you know the date?'

'Oh. Of course.'

The couple stood embracing in a high-ceilinged hallway. Now the husband with a movement of the arm caused his keys to sound in their pocket. His half-conscious intention was to signal an ?.impatience to be out. Xan would not publicly agree, but women naturally like to prolong routine departures. It is the obverse of their fondness for keeping people waiting. Men shouldn't mind this. Being kept waiting is a moderate reparation for their five million years in power . . . Now Xan sighed softly as the stairs above him softly creaked. A complex figure was descending, normal up to the waist, but two-headed and four-armed: Meo's baby daughter, Sophie, cleaving to the side of her Brazilian nanny, Imaculada. Behind them, at a distance both dreamy and self-sufficient, loomed the four-year-old: Billie.

Russia took the baby and said, 'Would you like a lovely yoghurt for your tea?'

'No!' said the baby.

'Would you like a bath with all your floaty toys?'

'No!' said the baby, and yawned: the first lower teeth like twin grains of rice.

'Billie. Do the monkeys for Daddy.'

'There were too many monkeys jumping on the bed. One fell down and broke his head. They took him to the doctor and the doctor said: No more monkeys jumping on the BED.'

Xan Meo gave his elder daughter due praise.

'Daddy'll read to you when he comes back,' said Russia.

'I was reading to her earlier,' he said. He had the front door open now. 'She made me read the same book five times.'

'Which book?'

'Which book? Christ. The one about those stupid chickens who think the sky is falling. Cocky Locky. Goosey Lucy. And they all copped it from the fox, didn't they, Billie.'

'Like the frogs,' said the girl, alluding to some other tale. 'The whole family died. The mummy. The daddy. The nanny. And all the trildren.'

'I'm off out.' He kissed Sophie 's head (a faint circus smell); she responded by skidding a wet thumb across her cheek and into her mouth. And then he crouched to kiss Billie.


From the Hardcover edition.

Excerpted from Yellow Dog by Martin Amis
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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