At Zero Point

by Zimbardo, Rose A.

• ISBN13: 9780813120393
• ISBN10: 081312039X
• Format: Hardcover
• Copyright: 1998-03-05
• Publisher: Univ Pr of Kentucky

Summary

" At Zero Point presents an entirely new way of looking at Restoration culture, discourse, and satire. The book locates a rupture in English culture and epistemology not at the end of the eighteenth century (when it occurred in France) but at the end of the seventeenth century. Rose Zimbardo's hypothesis is based on Hans Blumenberg's concept of "zero point" -- the moment when an epistemology collapses under the weight of questions it has itself raised and simultaneously a new epistemology begins to construct itself. Zimbardo demonstrates that the Restoration marked both the collapse of the Renaissance order and the birth of modernism (with its new conceptions of self, nation, gender, language, logic, subjectivity, and reality). Using satire as the site for her investigation, Zimbardo examines works by Rochester, Oldham, Wycherley, and the early Swift for examples of Restoration deconstructive satire that, she argues, measure the collapse of Renaissance epistemology. Constructive satire, as exemplified in works by Dryden, has at its discursive center the "I" from which all order arises to be projected to the external world. No other book treats Restoration culture or satire in this way.

Author Biography

Rose Zimbardo is Suny Distinguished Teaching Professor Emerita

Table of Contents

Acknowledgments	ix
Introduction	1	(21)
1. "From Words to Experimental Philosophy": Language and Logic at Restoration Zero Point	22	(19)
2. The Semiotics of Restoration Deconstructive Satire	41	(18)
3. No "I" and No "Eye"	59	(42)
I. "Author," "Speaker," "Character" in Restoration Deconstructive Satire	59	(10)
II. Not Him: Oldham's "Aude aliquid. Ode"	69	(11)
III. Not Them: Wycherley's The Plain Dealer	80	(10)
IV. No-One, No-Place, No-Thing: Swift's Tale of a Tub	90	(11)
4. Genders, Sexualities, and Discourse at Restoration Zero Point	101	(31)
5. The Discursively Central "I" and the Telescope of Discourse	132	(38)
I. "The Proper Study of Mankind is M(E)"	132	(9)
II. Ordered and Ordering: The New Theory of Satire	141	(8)
III. Satiric Discourse and the Sacred Nation	149	(6)
IV. The "Other" End of the Telescope	155	(15)
Conclusion	170	(2)
Notes	172	(18)
Index	190