Music for Analysis Examples from the Common Practice Period and the Twentieth Century Includes CD

by Benjamin, Thomas; Horvit, Michael; Nelson, Robert

• ISBN13: 9780195188158
• ISBN10: 0195188152
• Edition: 6th
• Format: Spiral Bound
• Copyright: 2006-03-16
• Publisher: Oxford University Press

Summary

This superbly varied collection offers more than 400 pieces of music from the Baroque period to the present. Selected by Thomas Benjamin, Michael Horvit, and Robert Nelson--three nationally respected composers and music theory teachers--the selections enable students to analyze a wide variety of genres, styles, textures, and composers that illustrate standard usage and idiomatic procedures. Featuring both excerpts and many complete pieces, Music for Analysis, Sixth Edition, is the perfect vehicle for analysis of style, musical idiom, small forms, tonal harmony, and contemporary techniques. "Questions for Analysis" in each unit provide pointed, perceptive guidance throughout the book. A detailed checklist and model analysis in Appendix A provide a useful summary for students who are learning to analyze music. Features of the Sixth Edition: * Includes a free audio CD of more than 140 examples from the text played on the piano, harpsichord, or organ by Dr. Rosilee Walker Russell, Artist-in-Residence at the University of Arkansas - Fort Smith * In addition to the complete pieces included from the previous edition, the authors have added several new complete works, including "Gavea" by Darius Milhaud and a complete Mozart sonata * Integrates many new model analyses into the body of the text, helping students to achieve a comprehensive analysis of the music * Includes contrapuntal examples from composers other than Bach * Provides precise measure numbers for all excerpts from larger pieces * Adds an index of all complete pieces (supplementing the index of composers and making selections easier to find)

Table of Contents

CD Track List	xvi
Preface to the Sixth Edition	xix
Suggestions for Using This Book	xxi
Part I Diatonic Materials Suggestions for Discussion
Tonic Triad Questions for Analysis
Haydn, Sonatina in G major, Hob. XVI: 8	3	(1)
Czerny, Sonatina, op. 792, no. 8	3	(1)
Rimsky-Korsakov, Le Coq d'Or: Hymn to the Sun	3	(1)
Beethoven, Leonora Overture No. 2, op. 72	4	(1)
Beethoven, Trio, op. 70, no. 2	4	(1)
Chopin, Polens Grabgesang, op. 74	5	(1)
Chopin, Valse (Posthumous)	6	(1)
Beethoven, Symphony No. 5, op. 67	6	(1)
Couperin, Carnival	7	(1)
Dominant Triad in Root Position Questions for Analysis
Mozart, Rondo	8	(1)
Kuhnau, Biblical Sonata No. 1: Victory Dance and Festival	8	(1)
Beethoven, Fur Elise	9	(1)
Schumann, Album for the Young, op. 68: Reiterstuck	9	(1)
Weber, Euryanthe, op. 81: Overture	10	(1)
Beethoven, Symphony No. 5, op. 67	10	(2)
Dominant Seventh and Ninth in Root Position Questions for Analysis Model Analysis
Weber, German Dance	12	(1)
Mozart, Sonata, K. 332	12	(1)
Schubert, Wiegenlied, op. 98, no. 2	13	(1)
Verdi, Rigoletto, Act I, no. 2	13	(1)
Haydn, Sonata in E major, Hob. XVI: 13	14	(1)
Beethoven, Symphony No. 4, op. 60	15	(1)
Weber, Oberon: Overture	15	(1)
Schubert, Landler	16	(1)
Schubert, Valses Nobles, op. 77	16	(1)
Mozart, Valse	17	(1)
Subdominant Triad in Root Position Questions for Analysis
Scheidt, Bergamasca	18	(1)
Schumann, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino	18	(1)
Chopin, Mazurka, op. 17, no. 1	19	(1)
Beethoven, Egmont Overture, op. 84	19	(1)
Verdi, Rigoletto, Act I, no. 7	20	(1)
Schubert, Impromptu, op. 90, no. 4, D. 899	21	(1)
Kern, Look for the Silver Lining	22	(1)
Beethoven, Seven Country Dances, no. 7	23	(1)
Schubert, Landler	23	(1)
Cadential Tonic Six-Four Chord Questions for Analysis
Schubert, Valses Sentimentales, op. 50, no. 18	24	(1)
Chopin, Mazurka, op. 24, no. 3	24	(1)
Donizetti, Lucia di Lammermoor, Act II, no. 6	25	(1)
Beethoven, Trio, op. 97	26	(1)
Tonic, Subdominant, and Dominant Triads in First Inversion Questions for Analysis
Bach, Lobt Gott, ihr Christen, allzugleich	27	(1)
Mozart, Bastien und Bastienne, K. 46B, no. 9	27	(1)
Mozart, Sonata, K. 332	28	(1)
Haydn, Sonata in D major, Hob. XVI:37	28	(1)
Mozart, Abendempfindung, K. 523	29	(1)
Beethoven, Symphony No. 5, op. 67	29	(1)
Beethoven, Fidelio, Act I, no. 9	30	(1)
Mozart, Sonata, K. 570	30	(1)
Mendelssohn, Elijah, op. 70, no. 29	30	(1)
Couperin, Le Petit Rien	31	(1)
Dandrieu, Les Fifres	31	(2)
Supertonic Triad Questions for Analysis
Anonymous, Dir, dir, Jehovah, will ich singen	33	(1)
Schubert, Waltz, op. 9, no. 3, D. 365	33	(1)
Beethoven, Six Variations on ``Net cor piu non mi sento''	33	(1)
Mozart, Die Zauberflote, K. 620, Act II, no. 21	34	(1)
Chopin, Zwei Leichen	34	(1)
Beethoven, Trio, op. 121A	35	(1)
Verdi, Rigoletto, Act II, no. 14	36	(1)
Chopin, Mazurka, op. 33, no. 2	37	(1)
Haydn, Sonata in E minor, Hob. XVI: 34	37	(1)
Inversions of the Dominant Seventh Chord Questions for Analysis
J. C. F. Bach, Nun danket alle Gott	38	(1)
Haydn, Sonata in C major, Hob. XVI: 35	38	(1)
Paisiello, Le donne sur balcone	38	(1)
Mozart, Quartet, K. 464	39	(1)
Beethoven, Sonata, op. 31, no. 3	39	(1)
Rameau, Sarabande I, vol. I	40	(1)
Haydn, Trio in C major, Hob. XV: 3	40	(1)
Kuhlau, Sonatina, op. 20, no. 1	41	(1)
Beethoven, Symphony No. 2, op. 36	42	(1)
Beethoven, Minuet in C	42	(1)
Linear (Embellishing) Six-Four Chords Questions for Analysis
Beethoven, Concerto No. 1 for Piano, op. 15	43	(1)
Schubert, Valses Sentimentales, op. 50, no. 1, D. 779	43	(1)
Mozart, Rondo, K. 485	44	(1)
Haydn, Quartet, op. 3, no. 5	45	(1)
Schubert, Waltz, op. 9, no. 1, D. 365	45	(1)
Kuhlau, Sonatina, op. 88, no. 3	46	(1)
Mozart, Symphony No. 35, K. 385	46	(1)
Beethoven, Sonatina in G major	47	(1)
Beethoven, Symphony No. 7, op. 92	47	(2)
Mozart, Symphony No. 41, K. 551	49	(1)
Haydn, Sonata in D major, Hob. XVI: 37	49	(1)
Beethoven, Contradanse	50	(1)
Buxtehude, Passacaglia	50	(1)
Beethoven, Symphony No. 3, op. 55	51	(1)
Gounod, Faust, Act I, no. 6	51	(2)
Sullivan, H.M.S. Pinafore, ``I'm Called Little Buttercup''	53	(1)
Submediant and Mediant Triads Questions for Analysis
Cruger, Herzliebster Jesu, was hast du verbrochen	54	(1)
Anonymous, Dir, dir, Jehovah, will ich singen	54	(1)
Bach, Schmucke dich, o liebe Seele	54	(1)
Mozart, Bastien und Bastienne, K. 46B, no. 1	55	(1)
Mozart, Sonata, K. 545	55	(1)
Handel, Sonata in F for Flute and Continuo	56	(1)
Verdi, Rigoletto, Act I, no. 1	56	(1)
Brahms, Symphony No. 4, op. 98	56	(1)
Corelli, Sonata for Violin and Continuo, op. 5, no. 9	57	(1)
Schubert, Quartet in D major, D. 74	57	(1)
Beethoven, Trio, op. 1, no. 3	58	(1)
Mozart, Sonata, K. 283	59	(1)
J. C. F. Bach, Menuet	59	(1)
Tessier, Au joli bois je m'en vais	60	(1)
Strauss, Der Rosenkavalier, Act III	60	(1)
Brahms, Romance, op. 118, no. 5	61	(1)
Schumann, Phantasiestucke, op. 12, no. 4, Grillen	62	(1)
Schubert, Im Abendroth (Posthumous)	62	(1)
Schubert, Symphony in C major (``The Great'')	63	(2)
Leading Tone Triad Questions for Analysis
Teschner, Schatz uber alle Schatze	65	(1)
Bach, Aus meines Herzens Grunde	65	(1)
Schumann, Album for the Young, op. 68: Soldatenmarsch	65	(1)
Handel, Courante	65	(1)
Haydn, Sonata in E major, Hob. XVI: 49	66	(1)
Haydn, Sonatina in D major, Hob. XVI: 4	66	(1)
Mozart, Sonata, K. 280	67	(1)
Daquin, La Joyeuse	68	(1)
Variant Qualities of Diatonic Triads Questions for Analysis Scalar Variants in Minor
Bach, Herr, ich habe mibgehandelt	69	(1)
Pachelbel, Chaconne	69	(1)
Telemann, Fantasie No. 8	69	(1)
Byrd, Pavana ``The Earle of Salisbury''	70	(1)
A. Scarlatti, Folia	70	(1)
Mattheson, Minuet	71	(1)
Mozart, Sonata, K. 310	71	(1)
Modal Borrowing
Verdi, La Traviata, Act I, no. 4	72	(1)
Donizetti, Linda di Chamounix, ``O luce di quest'anima''	73	(1)
Mozart, Sonata for Violin and Piano, K. 306	74	(1)
Haydn, Sonatina in C major, Hob. XVI: 7	75	(1)
Schubert, Aufenthalt	75	(1)
Schubert, Der Wanderer	76	(1)
Brahms, Symphony No. 3, op. 90	77	(1)
Verdi, Il Trovatore, Act II, no. 11	78	(1)
Beethoven, Symphony No. 5, op. 67	79	(1)
Brahms, Symphony No. 4, op. 98	80	(1)
Supertonic Seventh Chord Questions for Analysis
Anonymous, Herr, wie du willst, so schick's mit mir	81	(1)
Bach, Straf' mich nicht in deinem Zorn	81	(1)
Haydn, Sonata in A major, Hob. XVI: 46	81	(1)
Grieg, Voegtersang	82	(1)
Beethoven, Symphony No. 6, op. 68	82	(1)
Schubert, Quartet, op. 168, D. 112	83	(1)
Mozart, Sonata, K. 310	83	(1)
Schubert, Standchen	84	(1)
Beethoven, Symphony No. 2, op. 36	85	(1)
Beethoven, Sonata, op. 14, no. 2	85	(1)
Beethoven, Symphony No. 6, op. 68	86	(1)
Bizet, Carmen, Act II: Entr'acte	87	(1)
Rodgers, Blue Moon	87	(2)
Leading Tone Seventh Chord Questions for Analysis
Dvorak, Quartet, op. 96	89	(1)
Mozart, Sonata, K. 457	89	(1)
Schumann, Carnaval, op. 9: Chiarina	89	(1)
Brahms, Ballade, op. 10, no. 4	90	(1)
Handel, Sonata for Flute and Continuo	90	(1)
Haydn (?), Allegro	91	(1)
Haydn, Trio in G major, Hob. XV: 25	91	(1)
Mozart, Requiem, K. 626: Offertorium	92	(1)
Haydn, Sonatina in G major, Hob. XVI: 11	93	(1)
Handel, Judas Maccabaeus, Part III: no. 53, Introduction	94	(1)
Wagner, Das Rheinghold, Scene 1	95	(2)
Gluck, Orphee, Act I, no. 1	97	(1)
Handel, Aria con Variazioni, Lecon No. 1	98	(1)
Telemann, Fantasia, 1er Dozzina, no. 5	99	(1)
Mozart, Sonata for Violin and Piano, K. 306	99	(2)
Other Diatonic Seventh Chords Questions for Analysis
Bach, O Ewigkeit, du Donnerwort	101	(1)
Mozart, Rondo. K. 494	101	(1)
Mendelssohn, Kinderstuck, op. 72, no. 1	101	(1)
Pachelbel, Fantasie	102	(1)
Handel, Sonata for Flute and Continuo	102	(1)
Handel, Lecon No. 2, Menuet	103	(1)
Tchaikovsky, Symphony No. 4, op. 36	103	(1)
Bach, French Suite in D minor	104	(1)
Complete Pieces for Analysis I Checklist for Analysis
Beethoven, Minuet	105	(1)
Schubert, Dance	106	(1)
Schubert, German Dance, op. 33, no. 12	106	(1)
Beethoven, Scottish Dance	107	(1)
Purcell, Rigadoon	108	(1)
Rameau, Minuet	109	(1)
Witt, Passacaglia	110	(2)
Grieg, Norsk	112	(6)
Part II Chromatic Materials Suggestions for Discussion
Secondary (Applied, Borrowed) Dominants Questions for Analysis Model Analysis
Beethoven, Trio, op. 1, no. 1	118	(1)
Mozart, Sonata, K. 281	118	(1)
Schubert, Impromptu, op. 142, no. 3	119	(1)
Haydn, Trio in D major	119	(1)
Beethoven, Sonatina in G major	120	(1)
Weber, Oberon: Overture	120	(1)
Beethoven, Trio, op. 1, no. 1	121	(1)
Schumann, Sonata, op. 118, Andante	122	(1)
Beethoven, Symphony No. 1, op. 21	122	(1)
Handel, Suite XI	123	(1)
Schumann, Arabeske, op. 18	123	(1)
Beethoven, Symphony No. 4, op. 60	124	(1)
Schumann, Widmung, op. 25, no. 1	125	(1)
Schubert, Symphony No. 8 (``Unfinished'')	126	(1)
Schumann, Sonata, op. 118, Puppenwiegenlied	126	(1)
Schubert, Quintet (``Die Forelle''), op. 114, D. 667	127	(1)
Beethoven, Quintet, op. 29	128	(1)
Beethoven, Trio, op. 11	129	(1)
Verdi, Rigoletto, Act II, no. 7	130	(2)
Handel, Suite XVI	132	(1)
Beethoven, Sonata, op. 53	132	(1)
Schubert, Symphony in C major (``The Great'')	132	(1)
Beethoven, Trio, op. 1, no. 3	133	(1)
Schubert, Mass in E major: Benedictus	134	(1)
Mendelssohn, Midsummer Night's Dream, op. 61: Wedding March	135	(1)
Verdi, Rigoletto, Act II, no. 14	136	(1)
Bach, Christmas Oratorio, no. 4: Introduction	136	(1)
Handel, Sonata VII for Flute and Continuo	137	(1)
Chopin, Mazurka, op. 67, no. 2	138	(1)
Chopin, Valse, op. 69, no. 1	138	(1)
Chopin, Valse Brillante, op. 34, no. 3	139	(1)
Gershwin, Someone to Watch Over Me	140	(1)
Tchaikovsky, Morning Prayer	141	(1)
Kern, Can I Forget You?	142	(2)
Modulation to Closely Related Keys Questions for Analysis
Modulation to Dominant
Mozart, Symphony No. 39, K. 543	144	(1)
Mozart, Sonata, K. 331	144	(1)
Beethoven, Symphony No. 2, op. 36	145	(1)
Haydn, Minuet	145	(1)
Schubert, Quartet, D. 173	146	(1)
Haydn, Sonata in C# minor, Hob. XVI: 36	146	(1)
Mozart, Symphony No. 41, K. 551	147	(1)
Chopin, Mazurka, op. 7, no. 2	148	(1)
Haydn, Sonata in G major, Hob. XVI: 39	148	(1)
Mozart, Sonata, K. 282, Menuet I	149	(1)
Schubert, Quartet, D. 173	150	(2)
Modulation to Relative Major
Haydn, Trio in F# minor, Hob. XV: 26	152	(1)
Haydn, Sonata in E minor, Hob. XVI: 34	153	(1)
Mozart, Sonata, K. 330	153	(1)
Donizetti, Lucia di Lammermoor, Act I, Cavatina	154	(1)
Brahms, Quintet, op. 115	155	(1)
Beethoven, Symphony No. 7, op. 92	156	(1)
Haydn, Symphony No. 104, Hob. I: 104	156	(2)
Modulation to Other Closely Related Keys
Haydn, Sonatina, Hob. XVI: 1	158	(1)
Bononcini, Deh piu a me non vascondete	158	(1)
Saint-Saens, Carneval des Animaux: Le Cygne	159	(2)
Brahms, Waltz, op. 39, no. 15	161	(1)
Beethoven, Quartet, op. 18, no. 2	161	(1)
Purcell, Dido and Aeneas, Act I, scene I	162	(1)
Bach, French Suite in C Minor	163	(1)
Complete Pieces for Analysis II Checklist for Analysis
Bach, Wachet auf, ruft uns die Stimme	164	(1)
Bach, In dulci jubilo	165	(1)
Bach, Christ lag in Todesbanden	166	(1)
Handel, Menuet	167	(1)
Beethoven, Sonata, op. 26	168	(1)
Schumann, Sonata, op. 118, Abendlied	169	(1)
Brahms, Waltz, op. 39	170	(1)
Handel, Prelude	171	(1)
Beethoven, Sonatina in F major	172	(2)
Haydn, Sonata in G major, Hob. XVI: 27	174	(3)
Rodgers, You Took Advantage of Me	177	(4)
Linear (Embellishing) Diminished Seventh Chords Questions for Analysis
Haydn, Symphony No. 104, Hob. I: 104, Menuet	181	(1)
Beethoven, Symphony No. 7, op. 92	181	(1)
Liszt, Les Preludes	182	(1)
Beethoven, Contradanse	183	(1)
Tchaikovsky, Symphony No. 6, op. 74	183	(1)
Beethoven, Quartet, op. 18, no. 3	184	(1)
Schubert, Sonata, op. 53	184	(1)
Gounod, Faust, Act IV, no. 18	185	(1)
Schumann, Carnaval, op. 9: Arlequin	186	(1)
Mozart, Waltz, K. 567	186	(1)
Wagner, Rienzi: Overture	187	(1)
Bellini, I Puritani, Act II, scene 3	187	(1)
Haydn, Symphony No. 104, Hob. I: 104	188	(1)
Rodgers, The Girl Friend	189	(2)
Brahms, Liebeslieder Walzer, op. 52, no. 4	191	(2)
Neapolitan Triad Questions for Analysis
Mozart, Concerto in A major, K. 488	193	(1)
Schubert, Der Muller und der Bach	193	(2)
Bach, Ach Gott, vom Himmel sieh' darein	195	(1)
Bach, Invention No. 13	195	(1)
Verdi, II Trovatore, Act II, no. 8	196	(1)
Brahms, Intermezzo in A major, op. 118, no. 2	197	(1)
Chopin, Prelude, op. 28, no. 20	198	(1)
Beethoven, String Quartet, op. 59, no. 2	199	(1)
Brahms, Wie Melodien zieht es mir, op. 105	200	(1)
Beethoven, Quartet, op. 18, no. 3	200	(1)
Schubert, Mass in E major: Credo	201	(1)
Bach, The Well-Tempered Clavier, Vol. II, Fugue 17	202	(1)
Chopin, Prelude, op. 28, no. 6	203	(2)
Augmented Sixth Chords, Submediant Degree as Lowest Note Questions for Analysis
Italian
Bach, Ich hab' mein' Sach' Gott heimgestellt	205	(1)
Beethoven, Bagatelle, op. 119, no. 1	205	(1)
Beethoven, Coriolan Overture, op. 62	205	(1)
Tchaikovsky, Mazurka	206	(1)
Schubert, Quartet, op. 168, D. 112	206	(1)
Beethoven, Symphony No. 1, op. 21	207	(1)
German
Mozart, Sonata, K. 457	208	(1)
Beethoven, Sonata, op. 109	209	(1)
Haydn, Trio, Hob. XV: 25	209	(1)
Beethoven, Thirty-Two Variations, Var. 30	210	(1)
Sibelius, Chanson Sans Paroles, op. 40, no. 2	210	(1)
Strauss, Der Rosenkavalier, Act I	211	(1)
French
Mendelssohn, Elijah, op. 70, no. 1	212	(1)
Schubert, Mass in G major: Kyrie	213	(1)
Bach, Wer nur den lieben Gott lat walten	214	(1)
Schubert, Sonata, op. 42	214	(1)
Verdi, La Traviata, Act III: Prelude	215	(1)
Schubert, Symphony in C major (``The Great'')	215	(1)
Grieg, Alfedans, op. 12	216	(1)
Herbert, Gypsy Love Song	217	(1)
Enharmonic German
Schumann, Dichterliebe, op. 48, no. 12: ``Am leuchtenden Sommermorgen''	218	(2)
Augumented Sixth Chords, Other Scale Degrees as Lowest Note Questions for Analysis
Mozart (?), Adagio	220	(1)
Granados, Valses Poeticos	220	(1)
Schubert, Symphony No. 8 (``Unfinished'')	221	(1)
Moussorgsky, Songs and Dances of Death, no. 4	222	(1)
Gluck, Orphee, Act I, nos. 6 and 7	223	(1)
Augumented Sixth Chords, Other Uses Question for Analysis
Linear
Verdi, Rigoletto, Act I: Prelude	224	(1)
Tchaikovsky, Song Without Words	224	(1)
Tchaikovsky, Romeo and Juliet	225	(1)
Schubert, Waltz	226	(1)
Brahms, Intermezzo, op. 76, no. 4	226	(1)
Tchaikovsky, The Witch	227	(1)
Secondary
Chopin, Prelude, op. 28, no. 22	228	(1)
Schubert, Mass in G major: Benedictus	228	(2)
Schubert, Die Allmacht, op. 79, no. 2	230	(1)
Altered Dominants
Schubert, Quintet, op. 163	231	(1)
Liszt, Liebestraum, no. 3	232	(1)
Rimsky-Korsakov, Snowmaiden, Chanson du Bonhomme Hiver	232	(1)
Grieg, Solvejg's Lied	233	(1)
Other Means of Modulation Question for Analysis
Schubert, Mass in G major: Gloria	234	(1)
Brahms, Wenn du nur zuweilen lachelst, op. 57, no. 2	235	(1)
Beethoven, Symphony No. 5, op. 67	236	(1)
Schubert, Waltz, op. 9, no. 14, D. 365	237	(1)
Mozart, Die Entfuhrung aus dem Serail, K. 384, Act III, no. 18	237	(2)
Schumann, Symphony No. 2, op. 61	239	(1)
Beethoven, Symphony No. 7, op. 92	239	(1)
Haydn, String Quartet, op. 76, no. 6	240	(1)
Beethoven, Sonata, op. 13	241	(1)
Beethoven, Trio, op. 70, no. 1	241	(2)
Scriabin, Prelude, op. 13, no. 3	243	(1)
J. Strauss, Die Fledermaus: Overture	244	(1)
Brahms, Wie bist du meine Konigen, op. 32, no. 9	244	(2)
Schubert, Mass in A major: Agnus Dei	246	(2)
Beethoven, Trio, op. 11	248	(2)
Rachmaninoff, Melodie, op. 3, no. 3	250	(1)
Schubert, Symphony No. 8 (``Unfinished'')	251	(1)
Ninth Chords Questions for Analysis
Dominant Ninths
J. Strauss, Artist's Life Waltzes, op. 316, no. 3	252	(1)
Franck, Sonata for Violin and Piano	252	(1)
Beethoven, Andante	253	(1)
Chopin, Valse Brillante, op. 34, no. 1	254	(1)
Schumann, Waldesgesprach, op. 39, no. 3	254	(1)
Chopin, Prelude, op. 28, no. 15	255	(2)
Secondary Dominant Ninths
Bach, St. Matthew Passion, no. 78	257	(1)
Schumann, Genoveva, op. 81: Overture	257	(2)
Grieg, Grandmother's Minuet, op. 68, no. 2	259	(1)
Schumann, Kinderszenen, op. 15, no. 7: Traumerei	259	(1)
Nondominant Ninths
Grieg, Wedding Day at Troldhaugen, op. 65, no. 6	260	(1)
Mendelssohn, Midsummer Night's Dream, op. 21: Overture	261	(1)
Faure, Apres un Reve	261	(2)
Extended Linear Usages Questions for Analysis
Chopin, Mazurka, op. 6, no. 1	263	(1)
Brahms, ``Der Tod, das ist die kuhle Nacht,'' op. 96, no. 1	264	(1)
Weber, Euryanthe: Overture	265	(1)
Brahms, Variations on a Theme by Handel, var. 20	265	(1)
Franck, Symphony in D minor	266	(1)
Wagner, Lohengrin, Act I, scene 2	267	(1)
Wagner, Wotan's Farewell, Die Walkure, Act III	268	(2)
Rodgers, Lover	270	(1)
Chopin, Prelude, op. 28, no. 9	271	(1)
Beethoven, Quartet, op. 18, no. 6	272	(3)
Complete Pieces for Analysis III Checklist for Analysis
Mozart, Minuet, K. 355	275	(3)
Schumann, Myrthen, op. 25, no. 24	278	(1)
Mendelssohn, Lieder ohne Worte, op. 30, no. 3	279	(2)
Chopin, Mazurka, Op. posth. 67, no. 2	281	(2)
Schumann, Phantasiestucke, op. 12, no. 3: Warum?	283	(2)
Grieg, Erotikon	285	(2)
Liszt, Il pensieroso, from Annees de Pelerinage	287	(2)
R. Strauss, Morgen, op. 27, no. 4	289	(3)
Wagner, Der Engel	292	(4)
Beethoven, Sieben Variationen: Uber das Volkslied: God Save the King	296	(6)
Mozart, Symphony No. 40, K. 550	302	(5)
Beach, Phantoms	307	(3)
Scott Joplin, A Breeze from Alabama: March and Two-Step	310	(4)
Kern, Smoke Gets in Your Eyes	314	(3)
Mozart, Sonata, K. 309	317	(19)
Allegro con spirito	317	(5)
Andante, un poco Adagio	322	(4)
Allegretto grazioso	326	(10)
Examples of Counterpoint Questions for Analysis
Bach, Ein' feste Burg ist unser Gott	336	(1)
Bach, Es ist genug, so nimm, Herr	337	(1)
Bach, Cantata No. 4: Sinfonia	338	(1)
Bach, Chorale Prelude on ``In Dulci Jubilo''	339	(3)
Bach, Chorale Prelude on ``Christ lag in Todesbanden''	342	(1)
Brahms, Chorale Prelude on ``O Wie selig seid ihr doch, ihr Fommen''	343	(2)
Purcell, ``Thy hand Belinda'', from Dido and Aeneas	345	(4)
Bach, Invention No. 4, BWV 775	349	(2)
Bach, Invention No. 13, BWV 775	351	(1)
Bach, Sinfonia 3, BWV 789	352	(2)
Bach, The Well-Tempered Clavier, Vol. I, Fugue 2	354	(3)
Bach, The Well-Tempered Clavier, Vol. II, Fugue 9	357	(3)
Mendelssohn, Fugue No. 2, op. 35	360	(5)
Additional Examples for the Study of Contrapuntual Techniques
Part III Contemporary Materials Suggestions for Discussion
Extended and Altered Tertian Harmony Questions for Analysis
Hanson, Symphony No. 2, op. 30	365	(1)
Kabalevsky, Sonatina, op. 13	365	(1)
Hovhaness, Mysterious Mountain	366	(1)
Shostakovich, Prelude, op. 34, no. 24	367	(1)
Debussy, Pelleas et Mellisande, Act I, scene 1	367	(1)
Scriabin, Poem, op. 32, no. 2	368	(1)
Ravel, Valses Nobles et Sentimentales	369	(1)
Rodgers, Slaughter on Tenth Avenue	370	(1)
Weill, September Song	371	(1)
Ellington, Prelude to a Kiss	372	(1)
Duke Jordan, Jordu	373	(1)
Berg, Four Songs, op. 2, no. 3	374	(2)
Diatonic (Church) Modes Questions for Analysis
Bartok, Little Pieces for Children, no. III	376	(1)
Chavez, Ten Preludes, no. 1	377	(1)
Poulenc, Valse	377	(2)
Debussy, Trois Chansons, no. 1	379	(1)
Kabalevsky, Toccatina	379	(1)
Britten, Ceremony of Carols, no. 8	380	(2)
Debussy, Suite bergamasque, Passepied	382	(1)
Floyd, Susannah, Act II, scene 3	382	(1)
Stravinsky, Five Fingers: Lento	383	(1)
Bartok, Fourteen Bagatelles, op. 6, no. 4	384	(1)
Casella, Siciliana	385	(2)
Adderley, Work Song	387	(1)
Pandiatonicism and Additive Harmony Questions for Analysis
Ravel, Mother Goose Suite: The Magic Garden	388	(1)
Milhaud, Touches Blanches	389	(1)
Cowell, The Irishman Dances	389	(1)
Copland, The Young Pioneers	390	(1)
Barber, Excursions, III	390	(1)
Stravinsky, Petroushka, Danse Russe	391	(1)
Poulenc, Gloria, Laudamus te	392	(1)
Exotic (Artificial, Synthetic) Scales Questions for Analysis
Milhaud, Touches Noires	393	(1)
Bartok, Mikrokosmos, no. 78: Five Tone Scale	393	(1)
Kodaly, Valsette	394	(1)
Vaughan Williams, London Symphony	395	(1)
Debussy, Preludes, II: Voiles	395	(1)
Bartok, Mikrokosmos, no. 136: Whole Tone Scale	396	(1)
Debussy, Pelleas et Melisande, Act II, scene 1	396	(1)
Bartok, Fourteen Bagatelles, op. 6, no. 10	397	(1)
Lutoslawski, Bucolic, no. 3	397	(1)
Bartok, Mikrokosmos, no. 101: Diminished Fifth	398	(1)
Bartok, Sketches, op. 9, no. 6	399	(2)
Bartok, Fourteen Bagatelles, op. 6, no. 6	401	(1)
Quartal and Secundal Harmony Questions for Analysis
Hindemith, Mathis der Maler: Grablegung	402	(1)
Ives, Majority	402	(1)
Krenek, Piano Piece, op. 39, no. 5	403	(1)
Hindemith, Ludus Tonalis, Fuga secunda in G	404	(1)
Bartok, Concerto for Orchestra	404	(2)
Berg, Wozzeck, Act II	406	(1)
Bartok, Mikrokosmos, no. 107: Melody in the Mist	407	(1)
Berg, Wozzeck, Act II	408	(1)
Cowell, Tiger	409	(1)
Ives, Majority	410	(1)
Brubeck, Blue Rondo a la Turk	411	(2)
Polyharmony and Polytonality Questions for Analysis
Honegger, Symphony No. 5	413	(1)
Schuman, A Three-Score Set, II	413	(1)
Kraft, Allegro Giocoso	414	(1)
Stravinsky, The Rake's Progress: Prelude	415	(1)
Stravinsky, Petroushka, Scene 2	416	(1)
Milhaud, Saudades do Brazil, no 7: Corcovado	417	(1)
Bartok, Forty-Four Violin Duets, no. 33	417	(1)
Brubeck, Strange Meadowlark	418	(2)
Free Atonality Questions for Analysis
Schonberg, Drei Klavierstucke, op. 11, no. 1	420	(1)
Schonberg, Klavierstucke, op. 19, no. 2	421	(1)
Schonberg, Pierrot Lunaire, op. 21, no. 1: Mondestrunken	422	(3)
Webern, Five Movements for String Quartet, op. 5, no. 4	425	(1)
Bartok, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths	426	(1)
Bartok, Fourth String Quartet	427	(2)
Sessions, From My Diary, III	429	(1)
Berger, Two Episodes, I	430	(2)
Twelve-Tone Serialism Questions for Analysis
Krenek, Dancing Toys, op. 83, no. 1	432	(2)
Schonberg, Suite fur Klavier, op. 25: Gavotte	434	(1)
Dallapiccola, Cinque Frammenti di Saffo	435	(3)
Webern, Drei Lieder, op. 25, no. 1	438	(2)
Music Since 1945 Questions for Analysis
Stockhausen, Klavierstucke, no. 2	440	(1)
Lutoslawski, String Quartet (1965)	441	(1)
Penderecki, String Quartet, no. 2	442	(3)
Crumb, Madrigals, Book IV	445	(1)
Druckman, Valentine, for solo contrabass	446	(1)
Rouse, Valentine	447	(1)
Horne, Six Short Studies, Sixteenth Notes	448	(2)
Complete Pieces for Analysis IV Suggestion for Analysis
Ravel, Sonatine, Mouvt II	450	(3)
Debussy, Pour le Piano: Sarabande	453	(4)
Debussy, Preludes, X: La Cathedrale engloutie	457	(5)
Milhaud, Saudades do Brazil, No. 6: Gavea	462	(3)
Prokofiev, Classical Symphony, op. 25	465	(2)
Prokofiev, March from The Love of Three Oranges	467	(3)
Hindemith, Ludus Tonalis, Fuga undecima in B (Canon)	470	(2)
Ruggles, Evocations, no. 1	472	(1)
Schonberg, Suite fur Klavier, op. 25: Menuett	473	(3)
Porter, Night and Day	476	(5)
Gershwin, Porgy and Bess, ``Summertime''	481	(4)
Stravinsky, Sonata for Two Pianos, II: Theme with Variations	485	(11)
Hindemith, Piano Sonata, No. 2	496	(4)
Macmillan, Piano Sonata, I	500	(3)
Appendix A. Checklist for Analysis and Sample Analysis	503	(4)
Appendix B. For Further Reference	507	(1)
Appendix C. Textbook Correlation Chart	508	(7)
Index of Composers and Their Compositions	515	(6)
Index of Complete Pieces	521