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9781853437496

Before Words Psychoanalytic listening to the unsaid through the medium of art

by ;
  • ISBN13:

    9781853437496

  • ISBN10:

    1853437492

  • Format: Paperback
  • Copyright: 2005-11-01
  • Publisher: Free Association Books
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List Price: $36.80

Summary

Psychoanalysis has continuously been applied to the exploration of creativity and artistic genius, but up to now, this has not produced its own systematic body of knowledge. The traditional psychoanalytic approach to art is to attempt to decode it, in order to capture its hidden meaning. But in this book, the author explains that it is through the arts that we discover important aspects of ourselves. Antonio Di Benedetto argues for a completely new approach. By employing analytic receptivity to listen to the aesthetic object and what it has to say, art becomes the interpretative key instead. Furthermore, the author shows how the arts can inspire psychoanalysis, helping it to recover its intuitive and poetic roots and providing forms, images and sounds to best represent fleeting introspective moments and pre-verbal insight. To illustrate these pre-symbolic aspects of introspection, the author examines well-known aesthetic masterpieces: the frescoes of the Loggia of Psyche in Rome, Mozart's The Magic Flute, and Six Characters in Search of an Author, by L. Pirandello. Of these, he considers music to be the artistic form best suited to refine the analyst's capacity to listen to the affective component of unconscious communication.

Table of Contents

Introduction i
Fausto Petrella
Preface iv
Acknowledgments x
Part I -- From the Psychoanalysis of Art to Psychoanalysis from1 Art
1(64)
Introduction
2(3)
Psychoanalytic Approach to Art
5(37)
Analysis of the Work of Art
5(7)
Analysis of the Creative Activity
12(4)
Psychoanalysis as a Creative Experience
16(5)
``Aesthetic disturbance2''
21(4)
The Waning of Aesthetic Disturbance
25(2)
The Metamorphosis of Ugliness in the Experience of Beauty: From the Terrifying Sublime to the Aesthetic Chimera
27(4)
The Experiences of Beauty and Early Phases of Life
31(3)
Beauty Lived in Analysis: Transitional Space and Space for Sublimation
34(2)
``Negative capability'' in Myth: Beauty Lost and Beauty Regained
36(6)
Artistic Thinking/Psychoanalytic Thinking: Image, Sound, Word
42(14)
Image
43(2)
Sound
45(3)
Word
48(2)
Poetic Word
50(6)
Sensibility Projected towards Transcendent Meaning
56(3)
Ecstatic and Aesthetic Experience through the Lens of Psychoanalysis
59(2)
The Relational Character of Art and Psychoanalysis: Search for Further Meaning in the Other
61(4)
Part II - Aesthetic Insight. A Precursor of Psychoanalytic Thinking: Artistic Thinking
65(48)
Poetic Knowledge as Pre-scientific Knowledge of the Human Mind
66(16)
Flowers of Forgetfulness and Spring Flowers. ``Gradiva''
67(5)
Knowledge of the Erotic and the Erotics of Knowledge: The Tale of Cupid and Psyche. Narrated by Apuleius
72(5)
The Beauty of Learning: From the Body to the Mind: The Tale of Cupid and Psyche in the Frescoes of the Loggia of Psyche
77(5)
Thinking Feeling and the Pre-sentiment of Thought
82(8)
Language and Musical Listening: Bi-logical Simassi Structure and Bi-modal Experience
87(3)
Non-verbal Communication
90(17)
Somatic Communication: Vocal Expressiveness
90(1)
Primitive Body Language as the ``Minimal Semantics'' of Effects: Green, Hanley, Stern
91(2)
Somatic Listening: Aesthesic-Aesthetic Sensibility. Sensory Reverie of the Analyst
93(4)
``Sentient'' Intelligence, Aesthetic Intelligence and An-aesthetic Factors in the Analytic Relationship
97(3)
Sensations Make One Think: Sensation as a Spur to Thought: the Sound Palette of the Voice and their Implicit Communication. ``Metaphoric Interpretation''
100(7)
The Silly Dancer (Clinical Case)
107(6)
Part III -- Aesthetic Insight Illustrated by Works of Art: examples
113(60)
The Magic Flute by Mozart: an Aesthetic Initiation to Insight
114(34)
The Psychoanalyst on Mozart's Couch: Being Thought About by the Artist
115(3)
The Magic Flute Prefigures Cultural Change
118(1)
From Looking Outside to Looking Inside
119(2)
Between Passion and Reason
121(2)
The Revelation of Love in all its Developmental Phases: Fusional, Instinctual, Couple and Ideal Love
123(3)
The Transformative Vicissitudes of the Characters
126(5)
Transformative Events on the Stage, in the Music and in Fruition of the Opera
131(3)
The Pleasure of Constructing in Play
134(3)
Thought Purified by Art
137(11)
Pirandello's Work: the Impossible Interpretation
148(25)
The Invention of Truth and the Setback
149(1)
The Audience's Company: The Mastering of the Obscurity of Reality through Telling Stories
150(2)
Theatre as a Device to Unmask the Pretences of Life
152(3)
Six Characters in Search of an Author: The Writer as the Unconscious and Destiny of the Characters. Theatre as a Space for Freedom
155(1)
``Formless Life that Longs for its Form'': Configuration rather than De-codification
156(4)
The Intuition of Nascent Thought: Taking the Creative Risk of Feeling True to Oneself
160(2)
Henry IV. The Intuition of Thought that Faces Reality
162(3)
Paying the Toll to the Madness of Pretence so as to Soften the Impact of Reality
165(2)
The Rejection of the Six Characters and of the Whole of Pirandello's Theatre as an Expression of Logical Impotence in the Face of the Irruption of Senselessness
167(6)
Part IV -- Psychoanalytic Listening and Musical Listening
173(68)
Introduction
174(3)
Music and Psychoanalysis. The Language of the Unconscious: to Be Investigated or Constructed?
177(16)
Feeling and Form in Music. Angelic or Demonic Art?
179(4)
Paradoxical Art. Mathematized Emotion. Destructive Creativity. Presence-Absence
183(2)
Music as a Symbolic Form of the Dynamism of Affects
185(8)
Making the Patient's Mind Play
193(14)
Acoustic Reverie
195(3)
Musically Oriented Listening to the Sonic Precursors of Speech. Vocal Dream Activity
198(2)
The Queen of Madness (Clinical Case)
200(7)
Listening ``Beyond Words'' in Psychoanalytic Practice
207(19)
Feelings and Vocal Music
209(3)
Sound and Meaning
212(2)
The Stone Guest (Clinical Case)
214(2)
To Hear and then to Speak. Sensory Closeness Mediated by Musical Listening
216(3)
Music and Soma. Regressive and Progressive Experience
219(2)
Music and Pre-verbal Communion. Re-creating an External and an Internal World of Sounds
221(2)
Record and Accord: Memory and Attunement
223(3)
The Unconscious through Music and Vocalism. Melodrama and Psychoanalysis
226(15)
The Prevailing of Psychic Reality. Displacement, Condensation and Lack of Contradiction
228(4)
Absence of Space and Time
232(3)
Implausibility, Psychic Truth and Communicative Immediacy
235(6)
Bibliography 241

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