Acknowledgments | p. vii |
Preface | p. 1 |
Biography | p. 7 |
A Word About Censorship | p. 27 |
The Films | p. 31 |
Wenn Tote sprechen (1917) | p. 31 |
Der Spion/In die Wolken verfolgt (1917) | p. 32 |
Furcht (1917) | p. 33 |
Das Rätsel von Bangalor (1917) | p. 36 |
Das Tagebuch einer Verlorenen (1918) | p. 38 |
Dida Ibsens Geschichte (1918) | p. 40 |
Das Dreimäderlhaus/Schuberts Liebesroman (1918) | p. 43 |
Es werde Licht! (1916/l8) | p. 45 |
Sündige Mütter (1918) | p. 45 |
Colomba (1918) | p. 48 |
Jettchen Geberts Geschichte (1918) | p. 50 |
Henriette Jacoby (1918) | p. 52 |
Peer Gynt (1918) | p. 54 |
Opium (Die Sensation der Nerven) (1918/19) | p. 57 |
Die Reise urn die Erde in 80 Tagen (1918/19) | p. 60 |
Nocturno der Liebe (1918/19) | p. 62 |
Die Japanerin (1918/19) | p. 62 |
Die Mexicanerin (1918/19) | p. 64 |
Opfer der Gesellschaft (1918/19) | p. 66 |
Die Prostitution (1919) | p. 67 |
Das gelbe Haus (1919) | p. 67 |
Die sich verkaufen (1919) | p. 69 |
Anders ah die Andern (1919) | p. 72 |
Die Okarina (1919) | p. 76 |
Prinz Kuckuck (1919) | p. 78 |
Wahnsinn (1919) | p. 80 |
Unheimliche Geschichten (1919) | p. 83 |
Satanas (1919) | p. 87 |
Nachtgestalten (1919/20) | p. 91 |
Sehnsucht (1920) | p. 93 |
Das Cabinet des Dr. Caligari (1919/20) | p. 94 |
Patience (1920) | p. 100 |
Die Nacht auf Goldenhall (1919/20) | p. 101 |
Kurfürstendamm (1920) | p. 103 |
Der Reigen (1920) | p. 105 |
Die Augen der Welt (1920) | p. 107 |
Der Januskopf (1920) | p. 109 |
Abend... Nacht... Morgen (1920) | p. 113 |
Moriturus (1920) | p. 115 |
Manolescus Memoiren/Fürst Lahovary, der König der Diebe (1920) | p. 116 |
Künstlerlaunen (1920) | p. 119 |
Liebestaumel (1920) | p. 120 |
Der Gang in die Nacht (1920) | p. 122 |
Christian Wahnschaffe (1920/21) | p. 125 |
Weltbrand (1920) | p. 125 |
Die Flucht aus dem golden en Kerker (1921) | p. 127 |
Der Graf von Cagliostro (1920/21) | p. 128 |
Das Geheimnis von Bombay (1920/21) | p. 130 |
Menschen im Rausch (1920/21) | p. 132 |
Der Leidensweg der Inge Krafft (1920/21) | p. 134 |
Die Liebschaften des Hektor Dalmore (1920/21) | p. 136 |
Landstrasse und Grossstadt (1921) | p. 138 |
Lady Hamilton (1921) | p. 140 |
Das indische Grabmal (1921) | p. 144 |
Lucrezia Borgia (1922) | p. 149 |
Paganini (1922/23) | p. 152 |
Wilhelm Tell (1923) | p. 155 |
Glanz gegen Glück (1923) | p. 158 |
Das Wachsfigurenkabinett (1924) | p. 158 |
Carlos und Elisabeth (1923/24) | p. 163 |
Nju (1924) | p. 167 |
Orlacs Hände (1924/25) | p. 170 |
Schicksal (1924) | p. 173 |
Le Comte Kostia (1925) | p. 175 |
Liebe macht blind (1925) | p. 177 |
Ingmarsarvet (1925) | p. 178 |
Der Geiger von Florenz (1925/26) | p. 181 |
Die Brüder Schellenberg (1925/26) | p. 183 |
Dürfen wir schweigen? (1926) | p. 186 |
Kreuzzug des Weibes (1926) | p. 187 |
Der Student von Prag (1926) | p. 190 |
Die Flucht in die Nacht/Enrico IV (1926) | p. 193 |
The Beloved Rogue (1927) | p. 196 |
A Man's Past (1927) | p. 199 |
The Man Who Laughs (1928) | p. 202 |
Die Filmstadt Hollywood/Wir in Hollywood (1928) | p. 208 |
The Last Performance (1929) | p. 208 |
Das Land ohne Frauen (1929) | p. 213 |
Die letzte Kompagnie (1929/30) | p. 216 |
Die grosse Sehnsucht (1930) | p. 218 |
Menschen im Käfig (1930) | p. 220 |
Der Mann, der den Mord beging/Nächte am Bosporus (1930/31) | p. 223 |
Die Nacht der Entscheidung (1931) | p. 225 |
Der Kongress tanzt (1931) | p. 227 |
Die andere Seite (1931) | p. 231 |
Rasputin (1931/32) | p. 233 |
Der schwarze Husar (1932) | p. 236 |
Rome Express (1932) | p. 238 |
F.P. 1(1932/33) | p. 241 |
Ich und die Kaiserin (1932/33) | p. 244 |
I Was a Spy (1933) | p. 246 |
The Wandering Jew (1933) | p. 249 |
Wilhelm Tell (1933/34) | p. 252 |
Jew Süss (1934) | p. 257 |
Bella Donna (1934) | p. 265 |
The Passing of the Third Floor Back (1935) | p. 269 |
King of the Damned (1935/36) | p. 271 |
Dark Journey (1937) | p. 274 |
Under the Red Robe (1937) | p. 276 |
Tempête sur l'Asie (1937/38) | p. 279 |
Le Joueur d'Échecs (1938) | p. 281 |
The Spy in Black (1939) | p. 285 |
Contraband (1940) | p. 288 |
The Thief of Bagdad (1940) | p. 291 |
Escape (1940) | p. 294 |
A Woman's Face (1941) | p. 297 |
Whistling in the Dark (1941) | p. 300 |
The Men in Her Life (1941) | p. 302 |
All Through the Night (1942) | p. 304 |
Nazi Agent (1942) | p. 307 |
Casablanca (1942) | p. 310 |
Above Suspicion (1943) | p. 312 |
Appendix | p. 315 |
Afterword | p. 318 |
Bibliography | p. 323 |
Index | p. 327 |
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