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| Preface | |
| Acknowledgments | |
| The Contextualization of Linguistic Criticism | p. 3 |
| Lexico-Syntactic Cohesion in Creeley's "I Know a Man" | p. 19 |
| Anaphoric and Cataphoric Reference in Dickens's Our Mutual Friend and James's The Golden Bowl | p. 30 |
| Comparison and Synthesis: Marianne Moore's Natural and Unnatural Taxonomies | p. 56 |
| Appropriated Voices in Gordon Weaver's Eight Corners of the World | p. 87 |
| Script Theory Perspective, and Message in Narrative: The Case of "Mi suicidio" | p. 97 |
| Conversational Style and the Form-Meaning Link in Literary Analysis | p. 123 |
| Conversation and the Fitzgeralds: Conflict or Collaboration? | p. 157 |
| Rosario Castellanos and the New Essay: Writing It Like a Woman | p. 179 |
| "Policewoman," Male Dominance, and the Cooperative Principle | p. 206 |
| The Language of Power and Powerlessness: Verbal Combat in the Plays of Tennessee Williams | p. 217 |
| Dialects of Power: The Two-Faced Narrative | p. 227 |
| Literary Data and Linguistic Analysis: The Example of Modern German | p. 241 |
| Immigrant Worker Literature | p. 263 |
| "What a Parrot Talks": The Janus Nature of Anglo-Irish Writing | |
| "You gone have to learn to talk right": Linguistic Deference and Regional Dialect in Harry Crews's Body | p. 278 |
| Contributors | p. 297 |
| Index | p. 301 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
