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9780757511592

Photography & Digital Imaging

by ;
  • ISBN13:

    9780757511592

  • ISBN10:

    0757511597

  • Edition: 5th
  • Format: Paperback
  • Copyright: 2002-08-01
  • Publisher: Kendall Hunt Pub Co

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Table of Contents

UNIT 1 Historical Background
1(46)
Imaging: Expression and Representation in Pictures
2(1)
The Tools of Photography
2(1)
The Chemistry of Photography
3(9)
Pioneers
3(1)
The Daguerreotype
4(1)
Famous Photograph: The Daguerreotype
5(1)
The Calotype
6(2)
Wet Plate Photography
8(1)
Dry Plate Photography
9(1)
Color Photography
10(2)
Later Camera Developments
12(6)
The Emergence of Motion Pictures
13(3)
The Emergence of Halftone Technology
16(1)
Twentieth-Century Developments
16(2)
Digital Imaging
16(2)
A Visual History of Photography
18(16)
A Brief History of Styles
19(6)
High Art and Pictorialism
19(1)
Naturalism
20(1)
Straight Photography
20(2)
Abractionism
22(1)
New Realism
23(2)
A Brief History of Content
25(9)
Portraits
25(1)
Landscape
26(1)
Natural Documentary
27(2)
Social Documentary
29(5)
Contemporary Directions
34(10)
Modern Photojournalists and the Extended Essay
35(1)
Fabricating the Settings and Situations
36(1)
Manipulating Images
36(1)
Appropriating Images
37(1)
The Impact of Color in Contemporary Photography
38(1)
The Impact of Digital Imaging: Reality Revisited
38(1)
Imaging
38(1)
History of Photography: A Capsule History of Photography: 1826--Present Day
39(5)
Ethical Considerations
42(1)
Dissemination
43(1)
Classic Photo Collections
44(1)
E-zines, E-newspapers, E-galleries and Other Web Sites
44(1)
Summary
45(2)
UNIT 2 Cameras, Lenses, and Accessories
47(48)
The Human Camera
48(1)
Basic Camera Types
49(1)
Simple Cameras
50(1)
Pinhole Camera
50(1)
Box Camera
50(1)
Camera Types by Viewing System
50(6)
Technical Feature: Pinhole Camera
51(1)
Viewfinder Cameras
52(2)
Single-Lens Reflex Cameras (SLR)
54(1)
Twin-Lens Reflex Cameras (TLR)
55(1)
View Cameras
56(1)
Parallax Error
56(1)
Camera Types by Film Size, Format, and Digital Resolution
57(12)
Film Cameras
58(2)
Digital Cameras
60(4)
Technical Feature: Shopping for a Digital Camera
64(5)
Shutter Systems
69(2)
Between-the-Lens Shutters
69(1)
Focal Plane Shutters
69(2)
Digital Camera Shutters
71(1)
Exposure-Setting Systems
71(2)
Manual Exposure
71(1)
Automatic Exposure
72(1)
Special-Function Cameras
73(3)
Instant Cameras and Film
73(1)
Panoramic or Wide-Format Cameras
74(1)
Underwater Cameras
74(1)
Stereo Cameras
75(1)
Press Cameras
75(1)
Summary
75(1)
Lens Characteristics
76(6)
Focal Length
76(2)
Pix Tips: Focal Lengths
78(1)
Speed
79(1)
Lenses for Digital Cameras
80(1)
Mounting Systems
81(1)
Common Accessories
82(4)
Care of the Camera
86(3)
Famous Photograph: First Halftone, March 4, 1880
87(2)
Good Habits of Camera Use
89(6)
UNIT 3 Camera Controls
95(40)
Basic Camera Settings
96(4)
Shutter Speed
96(1)
Aperture
97(2)
Focus
99(1)
Pix Tips: Confusing Exposure Terms
99(1)
Depth of Field
100(8)
A perture and Depth of Field
102(1)
Focal Length and Depth of Field
102(1)
Distance Setting and Depth of Field
103(2)
Zone Focusing
105(1)
Hyperfocal Focusing
106(1)
Famous Photograph: William Henry Jackson's ``Old Faithful''
107(1)
Summary
107(1)
Aperture and Shutter Speed Combinations
108(2)
Achieving the Correct Exposure
108(1)
Reciprocity Failure
109(1)
Exposure and Action
110(1)
Freezing Action
110(1)
Blurring Action
111(1)
Image Control with Automatic Exposure Cameras
111(4)
Auto-Focus Override Features
111(2)
Automatic Exposure Override Features
113(1)
Automatic Flash Features
114(1)
Determining Exposure
115(20)
Range of Density in Film Images
115(1)
Range of Density in Digital Images
116(2)
Bracketing
118(1)
Scene Modes
118(1)
Desirable Characteristics of Negatives and Digital Images
118(1)
Using Exposure Meters
119(2)
Built-in Meters
121(2)
Using a Hand-held Light Meter
123(3)
Careers in Photography: Publications and Media Photography
126(3)
Step by Step: Using a Hand-Held Reflected-Light Meter
129(6)
UNIT 4 Film and Digital Materials
135(28)
The Photographic Process
136(1)
Characteristics of Black-and-White Film
137(4)
Famous Photograph: Eadweard Muybridge's Galloping Horse
138(1)
Film Speed
139(1)
Color Sensitivity
140(1)
Grain Size
140(1)
Contrast
141(1)
Resolving Power
141(1)
Acutance
141(1)
Exposure Latitude
141(1)
Types of Black-and-White Films
141(2)
Packaging Forms
142(1)
Film Sizes
143(1)
Common Black-and-White Films
143(1)
Color Films
143(7)
Color Reversal Film
144(1)
Color Negative Film
145(1)
Instant Color Films
145(1)
Color Balance
146(2)
Careers in Photography: Industrial and Commercial Photographer
148(2)
Film Care and Storage
150(1)
How Digital Image Sensors Work
151(4)
Light Translated into Digits
151(1)
Color and Digital Sensors
152(1)
Characteristics of Digital Sensors
152(1)
Resolution of Digital Sensors
153(1)
PPI--A Measure of Output Resolution
153(1)
Digital Film Speed
153(1)
Dynamic Range and Digital Exposure Latitude
154(1)
Digital Color and White Balance
154(1)
Digital Storage Media
155(1)
Types of Digital Storage Media
155(1)
Digital Film
155(1)
Flash Memory Cards
155(1)
Magnetic or Optical Disks
156(1)
Card Readers
156(1)
File Types and Image Compression
156(1)
Compression
156(1)
File Types
156(1)
Care and Storage of Digital Media
157(6)
UNIT 5 Processing Film and Evaluating Negatives
163(24)
Film Processing
164(3)
An Overview
164(1)
How Developer Works
165(1)
The Purpose of Fixer
165(1)
The Time/Temperature Processing Method
165(1)
Caution: Handling Photographic Chemicals Safely
166(1)
Film-Processing Tanks
167(1)
Processing Color Films
167(8)
Step by Step: Black-and-White Film Processing
168(5)
Color Darkroom Equipment
173(1)
The General Steps
173(1)
Color Negative Processing
173(1)
Steps in Color Negative Processing
173(1)
Processing Color Transparencies
174(1)
Steps in Color Transparency Processing
174(1)
Evaluating Negatives
175(2)
Evaluating Density
175(1)
Exposure and Its Relation to Shadow Density
175(1)
Development and Its Relation to Highlight Density
175(1)
Factors Affecting the Action of the Developer
176(1)
Checking for Correct Film Development
176(1)
Summary
177(1)
Adapting to Available Light
177(10)
Overrating the Film Speed
177(1)
Push-Processing
177(4)
Famous Photograph: Imogen Cunningham
181(1)
Alternatives to Conventional Films
181(1)
Summary
182(5)
UNIT 6 Printing
187(56)
Tools and Materials
188(6)
The Enlarger
188(1)
Ancillary Equipment
189(3)
Kinds of Photographic Paper
192(1)
Print-Processing Chemicals
192(1)
Famous Photograph: The Execution of Ruth Snyder
193(1)
The Filter Pack
194(1)
Making Contact Prints
194(1)
Contact Prints and Contact Proof Sheets
194(1)
Light Sources, Test Prints, and General Procedures
194(1)
Print Processing
195(4)
Careers in Photography: News and Photojournalism
196(2)
Step by Step: Making a Contact Proof Sheet Using the Enlarger Method
198(1)
Making Enlargements
199(2)
Step by Step: Basic Black-and-White Print Processing
199(2)
Step by Step: Basic Color Print Processing
201(1)
Determining Print Exposure
201(2)
Step by Step: Making an Enlargement
202(1)
Making a Test Strip
203(1)
Fixed versus Proportional Increments
203(1)
Print Materials
203(6)
Selecting the Proper Materials
204(1)
Printing Papers
204(2)
Fiber-Based Papers
206(1)
Resin-Coated (RC) Papers
206(1)
Color Printing Papers
207(1)
Selecting the Best Paper
207(1)
Paper Storage
207(1)
Print-Processing Chemicals
208(1)
Maximizing Tonal Quality
209(3)
Tonal Qualities of Finished Prints
209(1)
Negative Contrast
210(1)
Controlling Print Contrast
210(1)
Color Balance
211(1)
Printing Controls
212(7)
Step by Step: Contrast Grade Selection for Black-and-White Prints
212(1)
Cropping
212(1)
Burning-in and Dodging
213(1)
Vignetting
214(1)
Texture Screening
215(1)
Convergence Control
215(1)
Diffusion
216(1)
Flashing
217(1)
Combination Printing
217(2)
Step by Step: Combination Printing
219(1)
Special Black-and-White Printing Techniques
219(7)
Split-Filter Printing
219(1)
Careers in Photography: Portrait and Wedding Photographer
220(2)
Variable-Contrast Printing with Color Heads
222(1)
Contrast Control During Development
222(1)
Black Border Line Printing
223(1)
The Sabattier Effect
224(1)
Step by Step: Making a Sabattier Print
225(1)
Finishing Controls and Print Storage
226(7)
Toning to Enhance a Black-and-White Image
226(1)
Toning for Preservation
227(1)
Mounting
227(1)
Special Techniques: Photograms
228(2)
Spotting and Bleaching
230(1)
Care and Storage of Photographs
231(2)
Darkroom Design and Equipment
233(10)
The Physical Facility
233(1)
The Safelights
233(1)
The White Work Lights
234(1)
The Enlarger
234(3)
The Contact Printer and Contact Proofer
237(1)
Print Drying Equipment
237(6)
UNIT 7 Basic Digital Image Processing
243(28)
Digital Images
244(1)
First Steps
244(1)
The Digital Image
244(1)
File Formats
245(1)
Image Acquisition
245(3)
Scanning
245(1)
Desktop Flatbed Scanners
246(1)
Flatbed Scanner as a Camera
246(1)
Transparency Adapters
246(1)
Film Scanners
246(1)
Drum Scanners
246(1)
Scanner Resolution and Output
247(1)
File Formats for Scanning
247(1)
Alternatives to Scanning
248(1)
An Introduction to Photoshop
248(11)
How to Open and Save Image Files
249(1)
Saving Files
249(1)
Pix Tips: Navigating on the Computer
249(2)
Famous Photograph: Duane Michals
251(1)
Step by Step: Saving Files
251(1)
Cropping Pictures
251(1)
Basic Adjustments to Brightness and Contrast
251(1)
Step by Step: Cropping
252(1)
Pix Tips: Oops!---Correcting a Mistake
252(1)
Pix Tips: File Formats in Photoshop
253(1)
Basic Levels Theory
254(1)
Pix Tips: Keyboard Adjustment of Levels
254(1)
Color Balance Correction
255(1)
Step by Step: Basic Level Adjustments
255(2)
Sharpening
257(1)
Step by Step: Setting the Unsharp Mask
258(1)
Printing Digital Images
259(12)
Types of Printers
259(1)
Pix Tips: Help with Photoshop
259(1)
Paper Selection
260(1)
Technical Feature: Digital Imaging in News Reporting
261(1)
Step by Step: Making the Final Print
262(1)
Ink Types and Image Longevity
263(1)
Adjusting Image Size and Resolution for Printing
263(1)
Step by Step: Adjusting Image Size
264(1)
Page Setup and Printing
264(1)
Step by Step: Preparing Images for Screen Viewing
265(1)
Adjusting Image Size and Resolution for Email and Web Use
265(6)
UNIT 8 Intermediate Digital Image Processing
271(30)
Tools for Local Image Control
272(5)
Dodging
272(1)
The Burn Tool and Related Controls
272(1)
Step by Step: Using the Dodge Tool
273(1)
Pix Tips: Return to Default Tool Settings
274(1)
Pix Tips: Undoing Image Changes
275(1)
The Rubber Stamp or Clone Tool
275(1)
Additional Rubber Stamp Settings
275(1)
Step by Step: Using the Rubber Stamp Tool
276(1)
Working with the Paint and Draw Tools
277(4)
Selecting Paint Colors
277(1)
Using the Pencil, Brush, and Airbrush Tools
278(2)
Famous Photographer: Alfred Stieglitz
280(1)
Selections and Their Uses
281(5)
Selection Tools
281(3)
Adding or Subtracting from a Selection
284(1)
Modifying and Saving Selections
284(1)
Working with Selections
285(1)
Pix Tips: Selection Outlines
286(1)
Filters, Layers, and Text
286(15)
Filters
287(1)
Layers
287(1)
Step by Step: Applying a Motion Filter
288(1)
Technical Feature: Digital Imaging in Creative Photography
289(2)
Step by Step: Making an Adjustment Layer
291(1)
Step by Step: Building a Composite with Layers
292(1)
Type Tool Basics
292(2)
Pix Tips: Unlock Background Layer
294(1)
Warped Text
294(1)
Step by Step: Using Type
294(7)
UNIT 9 Advanced Digital Image Processing
301(34)
Maximizing the Digital Workflow
302(5)
Use the Power of the File Browser
302(1)
Displaying the File Browser
303(1)
Editing with the File Browser
303(1)
Displaying and Using Data about the Image File
303(1)
Using the File Info Window
304(1)
Step by Step: Using the Automate ---> Photomerge Command to Create a Panorama
305(1)
The Power of Automation within the File Browser
306(1)
Photoshop Actions
307(3)
Photoshop Actions
307(1)
Loading and Using Actions Recorded by Others
307(1)
Recording Your Own Custom Actions
307(1)
Step by Step: Recording on Action
308(1)
Fine Tuning Actions
309(1)
Introduction to Color Management
310(6)
Overview
310(1)
Color Management Defined
310(1)
Color Is Not Absolute
311(1)
Digital Color Capture
311(1)
Digital Devices & Color Models
311(1)
Devices Translate Color in Specific Ways
312(1)
Defining Color Independent of the Device
312(1)
Color Gamut, Dynamic Range and Device Limitations
312(1)
The Goal of Standard Color and Device Compatibility
312(1)
Profiles Define Color
313(1)
The Composition of a Color Management System
314(1)
The CMS in Action---A Series of Color Conversions
315(1)
Conclusion
315(1)
A Practical Guide to Building a Color Management System
316(19)
Creating a Monitor Profile
316(1)
Setting Up a Monitor
317(1)
Step by Step: Windows Monitor Calibration
317(4)
Step by Step: Macintosh Monitor Calibration
321(2)
Tools for Monitor Calibration
323(1)
Configuring Photoshop's Color Settings
323(1)
Input Profiles---Not Absolutely Necessary
324(1)
Output Profiles
324(1)
Printing with Color Management
325(1)
Step by Step: How to Configure Photoshop to Display a Soft Proof
326(1)
Typical Color Managed Printer Settings for Macintosh
327(1)
Typical Color Managed Printer Settings for Windows
328(7)
UNIT 10 Introduction to Composition
335(38)
Composing Photographs
336(3)
The Elements of Composition
336(1)
The Functions of Composition
337(2)
Control of Detail
339(5)
Selection of Detail
339(2)
Control of Sharpness
341(1)
Control of Size
342(1)
Control of Contrast
342(1)
Control of Color
343(1)
Placement
344(3)
The Rule of Thirds
344(1)
Movement into the Frame
345(1)
Camera Angle
346(1)
Perspective Controls
347(5)
Famous Photographer: Roy Stryker and the FSA
348(1)
Linear Perspective
349(1)
Aerial Perspective
349(1)
Selective Focus
350(1)
Focal Length as a Perspective Tool
351(1)
Scale
352(1)
Lines of Composition
352(3)
Use of Tone and Contrast
355(5)
Emphasis
357(1)
Mood
358(1)
Tonal Composition
359(1)
Color Composition
360(4)
Color Harmony
361(1)
Famous Photographer: Margaret Bourke-White
362(1)
Psychological Effects of Color
363(1)
The Effects of Reflected Light
363(1)
Color Manipulation
363(1)
Photographic Guidelines
364(1)
Reading Photographs
365(8)
The Importance of Active Viewing
366(1)
Understanding the Photographer's Intent and Interpreting the Image
366(1)
Making an Informed Evaluation
367(6)
UNIT 11 Filters
373(24)
Principles of Filters
374(1)
Law of Transmission and Absorption
375(1)
Forms of Filter Construction
375(1)
Exposure with Filters
376(3)
Through-the-Lens Metering
377(1)
External Metering
377(1)
Famous Photographer: Jacob Riis
378(1)
Filters for Black-and-White Photography
379(8)
Correction Filters
379(1)
Contrast Filters
380(1)
Ultraviolet and Haze Filters
381(1)
Polarizing Filters
382(2)
Neutral Density (ND) Filters
384(1)
Special Effect Filters
384(1)
Careers in Photography: Careers in Creative Photography
385(2)
Filters for Color Photography
387(10)
Conversion Filters
389(1)
Color-Compensating (CC) Filters
390(1)
Skylight and Ultraviolet Filters
390(1)
Polarizing Filters
390(1)
Neutral Density Filters
391(1)
Special Effect Filters
391(6)
UNIT 12 Basic Lighting
397(32)
Basic Lighting Principles
398(4)
Characteristics of Light
398(1)
Functions of Light
399(2)
Applying Lighting Principles
401(1)
Purposes of Arranged Lighting
402(1)
Photographing in Available Light
402(5)
Dim Lighting Conditions
403(1)
Selected Lighting
403(1)
Bad Weather
403(1)
Morning and Evening Light
404(1)
Night Photography
404(1)
Modifying Available Light
405(1)
Famous Photographer: Harry Callahan
406(1)
Artificial Lighting Tools and Their Functions
407(5)
Hot Lights
407(1)
Electronic Flash Units
407(2)
Reflector Types
409(1)
Softboxes
409(1)
Spotlights
410(1)
Reflector Cards
410(1)
Baffles, Screens, Flags, and Snoots
410(1)
Diffusion Screens, Pattern Screens, and Gels
411(1)
Light Standards and Booms
412(1)
Caution: Lighting Hazards
412(1)
Summary
412(1)
A Basic Four-Light Setup
412(4)
The Key Light
413(1)
Typical Key Light Location
414(1)
Recommended Types of Key Lights
414(1)
The Fill Light
414(1)
The Background Light
415(1)
Accent Lights
415(1)
Steps in Preparing the Lighting Setup
415(1)
Basic Portrait Lighting
416(2)
Broad Lighting
416(1)
Step by Step: Making a Lighting Setup
417(1)
Short or Narrow Lighting
418(1)
Butterfly or Glamour Lighting
418(1)
Enhancing Physical Features
418(1)
Lighting Small Objects
418(11)
The Key Light
420(1)
The Accent Lights
420(1)
The Fill Light
420(1)
The Background Light
420(1)
Lighting Glass Objects and Shiny Objects
421(8)
UNIT 13 Flash Photography
429(34)
Principles of Flash Photography
430(8)
Electronic Flash
430(1)
Contacts and Cords
431(1)
Special Features
431(2)
Synchronization
433(2)
Flash Accessories
435(3)
Determining Flash Exposure Settings
438(5)
Variables Affecting Exposure with Flash
438(1)
Method 1: Automatic Calculation
439(2)
Method 2: Flash Metering
441(1)
Method 3: Manual Calculation
441(2)
Flash Techniques
443(9)
Flash-On-Camera
443(1)
Bounce Flash
444(1)
Flash-Off-Camera
445(2)
Fill-In Flash
447(1)
Step by Step: Calculating Fill-In Flash
448(1)
Flash and Slash
448(1)
Step by Step: Flash-and-Slash Technique
449(1)
Multiple-Unit Flash Technique
449(1)
Step by Step: Nondedicated Multiple Flash
450(2)
Using Flash for Action
452(2)
Famous Photographer: Drop of Milk
453(1)
Common Flash Problems
454(3)
Red-Eye
454(1)
Secondary Images
455(1)
Uneven Coverage
455(1)
Near Objects Brighter Than Far Objects
455(1)
Flash Reflection
456(1)
Distracting Shadows
456(1)
Empty Shadows
457(1)
Partial Exposure
457(1)
Flash Maintenance and Safety Recommendations
457(6)
UNIT 14 Subjects and Approaches
463(30)
Scenery
464(4)
The Grand View
465(1)
The Intimate View
466(1)
Scenes with Water
467(1)
Contrast Control in Color Landscape Photography
468(1)
Architecture
468(3)
Still Life
471(1)
People
472(2)
Action
474(2)
Depicting Action
475(1)
Human Interest
476(2)
Photojournalism
478(15)
Famous Photographer: W. Eugene Smith
479(1)
News Photography
480(6)
Famous Photographer: Henri Cartier-Bresson
486(1)
Documentary Photography
487(6)
UNIT 15 Special Topics
493(34)
The Fine Print
494(2)
The Difference in Quality
494(1)
Control of Tone and Contrast
494(2)
Control of Print Quality
496(1)
Characteristics of a Fine Print
496(1)
The Zone System
496(2)
Processing for Permanence
498(2)
Selecting Materials
498(1)
Special Processing and Fixing
499(1)
Toning for Preservation
499(1)
Washing
499(1)
Drying
500(1)
Mounting and Storage
500(1)
Large-Format Photography
500(3)
Reasons for Using a View Camera
500(1)
Types of View Cameras
500(1)
Famous Photographer: Edward Weston
501(1)
Lenses
502(1)
Camera Movements
502(1)
Using Sheet Film
503(1)
Common View Camera Accessories
503(1)
Close-up and Copy Photography
503(7)
Close-up Photography
504(1)
Step by Step: Using the View Camera
505(2)
Copy Photography
507(3)
Building a Web Photo Gallery
510(3)
A Brief Overview of How the Internet Works
510(1)
What Is a Web Photo Gallery?
511(1)
Step by Step: Creating a Web Photo Gallery in Photoshop
512(1)
Law and Ethics for Photographers
513(14)
Privacy
513(1)
Caution: Protect Your Privacy on the Internet
514(3)
Famous Photographer: Lewis Wickes Hine
517(1)
Copyright
518(2)
Digital Imaging: Ethical and Social Issues
520(1)
Photojournalism
520(1)
Advertising
521(1)
Commercial and Creative Photography
522(1)
Photographs in the Courtroom
522(5)
Appendices
Appendix A: Recommended Equipment Packages
Appendix B: Selected Equipment and Supply Sources
Appendix C: Metric and U.S. Customary Measures
Appendix D: List of Professional Organizations and Companies
Appendix E: Selected Photographic Workshops and Programs
Appendix F: List of Publications
Appendix G: Tables of Current Films and Materials
Appendix H: Selected Time and Temperature Charts
Appendix I: Sample Model Release
Appendix J: Approximate Equivalent Focal Lengths for Various Film Formats
Appendix K: A Personal Film Developing Sheet for Recording Specific Film Developing Data
Appendix L: Sample Licensing Agreement
Appendix M: Selected Photography Web Sites
Appendix N: Self-Tests and Annotated Answer Keys
Appendix O: Free Trial Software
Glossary 527(36)
References 563(4)
Credits 567(4)
Index 571

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