EditorsÆ Preface | |
Chronology | |
Notes on Contributors | |
Victorian Poetics: Carol T. Christ | |
Varieties and Forms | |
Epic: Herbert Tucker | |
Domestic and Idyllic: Linda Peterson | |
The Lyric: Matthew Rowlinson | |
The Dramatic Monologue: E. Warwick Slinn | |
The Sonnet and Sonnet Sequence: Alison Chapman | |
Elegy: Seamus Perry | |
Hymn: J. R. Watson | |
Nonsense: Roderick McGillis | |
Verse Novel: Dino Felluga | |
Verse Drama: Adrienne Scullion | |
Working-Class Poetry: Florence Boos | |
The Classical Tradition: Richard Jenkyns | |
Arthurian Poetry and Medievalism: Anthony H. Harrison | |
Poetry in Translation: J.-A. George | |
Tractarian Poetry: Stephen Prickett | |
The Spasmodics: Richard Cronin | |
The Pre-Raphaelites: David Riede | |
Poetry of the 1890s: Chris Snodgrass | |
Production, Distribution and Reception | |
The Market: Lee Erickson | |
Anthologies and the Making of the Poetic Canon: Natalie M. Houston | |
Reviewing Poetry: Joanne Shattock | |
Poetry and Illustration: Lorraine Janzen Kooistra | |
Victorian Poetry and Victorian Culture | |
Nationhood and Empire: Margaret Linley | |
Poetry in the Four Nations: Matthew Campbell | |
Poetry and Religion: W. David Shaw | |
Poetry and Science: Alan Rauch | |
Landscape and Cityscape: Pauline Fletcher | |
Vision and Visuality: Catherine Maxwell | |
Marriage and Gender: Julia F. Saville | |
Sexuality and Love: John Maynard | |
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