Series Editor's Preface | |
List of Illustrations | |
Notes on Contributors | |
Introduction: The Image in Question | |
Romancing the Human: The Ideology of Envisioned Human Origins | |
öWe Grew Up and Moved Onö: Visitors to British Museums Consider Their ôCradle of Mankindö | |
The American Time Machine: Indians and the Visualization of Ancient Europe | |
öTo Make the Dry Bones Liveö: Amédée ForestierÆs Glastonbury Lake Village | |
Unlearning the Images of Archaeology | |
Illustrating Ancient Rome, or the Ichnographia as Uchronia and other time warps in PiranesiÆs Il Campo Marzio | |
Thomas Guest and Paul Nash in Wiltshire: two episodes in the artistic approach to British antiquity | |
A Different Way of Seeing? Toward a Visual Analysis of Archaeological Folklore | |
Photography and Archaeology: The Image as Object | |
Wearing JuninhoÆs Shirt: Record and Negotiation in Excavation Photographs | |
Video Killed Interpretative VR: Computer Visualisations on the TV Screen | |
The Real, the Virtually Real and the Hyperreal: The Role of VR in Archaeology | |
Index | |
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