Preface | p. xv |
Introduction | p. xvii |
Matching Creativities | |
"Incertus" as GMH as Seamus Heaney | p. 3 |
"By the Gate of the Sacred" | p. 5 |
Hopkins and I | p. 9 |
Afterthoughts: GMH | p. 12 |
Hopkins and I | p. 13 |
Physical Matters | |
Following Hopkins | p. 23 |
A Hopkins Apprenticeship | p. 29 |
Hopkins and Me | p. 33 |
The Incessant Calls from Hopkins: From a Tributary, a Winding Stream to the Main Current | p. 36 |
Why Hopkins Matters to Me | p. 43 |
Hopkins Made Me | p. 47 |
Stumbling on Hopkins | p. 51 |
Why Hopkins Matters to Me | p. 53 |
Physical Responses | |
For the Sake of Selving | p. 59 |
How Did I Come to Gerard Manley Hopkins? | p. 62 |
Hopkins and Me: How and Why | p. 66 |
"These things were there" | p. 69 |
Birds, Nests and Aerial Spaces, or: Why Hopkins Matters to Me | p. 72 |
Swimming and Diving with Hopkins | p. 80 |
An Ascot for Astronauts: Riding the Eternal Carousel with Gerard Manley Hopkins | p. 84 |
Intellectual Responses | |
G.M. Hopkins, the Transparency of Language and Modernist Word-Skepticism | p. 95 |
Hopkins in My Life and Work | p. 102 |
A Poet Who Came to Brood and Sit | p. 108 |
Master of Inscapes as Matrix of Invention | p. 111 |
My Encounters with Hopkins | p. 122 |
Hopkins' Articulate Self | p. 125 |
Why Hopkins Matters | p. 130 |
Pilgrimage to a Text | |
A Tale of Five Continents | p. 137 |
Dramatizing the Text | |
My Beautiful Persian Carpet | p. 173 |
Brass-bold: An Actor and G.M. Hopkins | p. 177 |
Hopkins Gladly Performed | p. 181 |
How I Became a Hopkins Performer | p. 185 |
Personal Responses | |
Hopkins and His Canonical Preservation | p. 189 |
A Poet Who Resurrects Comfort | p. 192 |
A Vigorous Discipline | p. 196 |
What Hopkins Means to Me | p. 200 |
How I Came, by Others' Wisdom and Kindness, to Be a (Novice) Hopkins Scholar | p. 204 |
"Striding high there": Hopkins' Poetic Achievements | p. 208 |
Hopkins and God's Grandeur | p. 212 |
Birth of a Brain: Finding Hopkins Finding Self | p. 216 |
Hopkins as Lifeline | p. 222 |
Godly Responses | |
Hopkins, Sacrifice and God | p. 233 |
Reading Hopkins: A Dialogue between Two Traditions | p. 237 |
Why Does Hopkins' Poetry Mean So Much to the Japanese? | p. 246 |
Reading Hopkins | p. 251 |
A Memoir about Hopkins | p. 254 |
Why Hopkins Matters to Me | p. 258 |
Praying with Hopkins | p. 262 |
Drawn in by Hopkins | |
My Hopkins Apprenticeship | p. 269 |
Why Hopkins and Me? | p. 272 |
Coming to Hopkins | p. 278 |
Hopkins and I | p. 282 |
Postmodern Indeterminacy and the Search for Meaning: Why Hopkins Matters to Me | p. 286 |
Hopkins' Poetry: I Cannot Choose but Hear | p. 290 |
Catching Up with Hopkins | p. 295 |
Abbreviations | p. 299 |
Notes | p. 300 |
Contributors | p. 305 |
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