Sonic Interventions: An Introduction | p. 11 |
Resonance - Politics - Resistance | p. 29 |
The New International of Rhythmic Feeling(s) | p. 31 |
"Affirmative Resonances" in the City?: Sound, Imagination and Urban Space in Early 1930s Germany | p. 57 |
You Can't Flow Over This: Ursula Rucker's Acoustic Illusion | p. 87 |
Incantations: Gender and Identity | p. 101 |
Reciting: The Voice of the Other | p. 103 |
Disturbing Noises - Haunting Sounds: Don DeLillo's The Body Artist | p. 119 |
Corporeal Voices, Sexual Differentiations: New Materialist Perspectives on Music, Singing and Subjectivity | p. 147 |
Performing Subjectivity: Literature, Race and Mourning | p. 169 |
Invisible Music (Ellison) | p. 171 |
Historicizing the Ghostly Sound of a Ghastly Sight: James Baldwin's Blues for Mister Charlie | p. 193 |
Between Orality and Literature: The Alida Folktale in Ellen Ombre's Short Fiction "Fragments" | p. 211 |
Mixing Music: Event, Place and Transculturality | p. 239 |
"Sonido ciudadisimo": Black Noise Andalusian Style in Contemporary Spain | p. 241 |
Hip Hop Nation and Gender Politics | p. 265 |
Situating Sound: The Space and Time of the Dancehall Session | p. 287 |
Index | p. 313 |
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