Mihai Olos

Mihai Olos (b. Arini?, Romania, 1940; d. Endingen am Kaiserstuhl, 2015) ranks among the most fascinating artists of the second half of the twentieth century. His adaptations of the formal vocabulary pioneered by Constantin Brâ ncu?i are unrivaled in their creative originality. His works evince an utterly novel approach to the combination of materials from the culture of rural Romania with the visual strategies of modernism. His formidable oeuvre engages with conceptual and minimal art and comprises paintings, drawings, and sculptures, sometimes in the dimensions of land-art projects, as well as performances and poetry. Despite the constraints imposed by the communist system, his art and travels— during which he also met his kindred spirit Joseph Beuys— were dedicated to the unerring pursuit of his vision of social sculpture and radical utopian architecture.

Anca Mihulet is a freelance curator based in Romania. Sandra Demetrescu is a curator and art historian based in Bucharest. - Magda Predescu works as a scientific researcher in the Documentation&Digital Memory Department of the National Museum of Contemporary Art. Ileana Pintilie is an art critic and curator, professor at the Arts Faculty, West University in Timisoara, Romania. - Calin Dan is a Romanian artist, theorist and curator