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9781577664055

Exploring World Art

by ; ;
  • ISBN13:

    9781577664055

  • ISBN10:

    1577664051

  • Format: Paperback
  • Copyright: 2005-11-20
  • Publisher: Waveland Pr Inc

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Table of Contents

Preface ix
Exploring World Art: An Introduction
1(38)
Robert L. Welsch
Eric Venbrux
Pamela Sheffield Rosi
Section One Theoretical Orientations to the Subject of World Art
39(44)
Gauguin, Negrin, and the Art of Anthropology: Reflections on the Construction of Art Worlds in a Costa Rican Port City
43(26)
Russell Leigh Sharman
Anthropologies of Art: Three Approaches
69(14)
Wilfried van Damme
Section Two Traditional and Modern Pathways for Contemporary African Art
83(48)
Circuits of African Art/Paths of Wood: Exploring an Anthropological Trail
87(24)
Paul Stoller
Tourism, Aesthetics, and Global Flows along the Swahili Coast
111(20)
Sidney L. Kasfir
Section Three Creating New Traditions in Contemporary Art
131(42)
``Frame that Rug!'': Narratives of Zapotec Textiles as Art and Ethnic Commodity in the Global Marketplace
135(22)
Sharon W. Tiffany
Contending Indian Art-Worlds: Patta Chitra Paintings in Orissa
157(16)
Helle Bundgaard
Section Four Engaging Tradition in Contemporary Aboriginal Art
173(46)
The Unsettled Business of Tradition, Indigenous Being, and Acrylic Painting
177(24)
Fred R. Myers
The Postcolonial Virtue of Aboriginal Art from Bathurst and Melville Islands
201(18)
Eric Venbrux
Section Five Moving Away from Tradition in Contemporary Papua New Guinea Art
219(66)
Gender, Location, and Tradition: A Comparison of Two Papua New Guinean Contemporary Artists
225(20)
Jacquelyn A. Lewis-Harris
The Disputed Value of Contemporary Papua New Guinea Artists and Their Work
245(26)
Pamela Sheffield Rosi
High Art as Tourist Art, Tourist Art as High Art: Comparing the New Guinea Sculpture Garden at Stanford University and Sepik River Tourist Art
271(14)
Eric K. Silverman
Section Six New Uses for Native American Art
285(52)
``Do We Still Have No Word for Art?'': A Contemporary Mohawk Question
291(26)
Morgan Perkins
Commodities of Authenticity: When Native People Consume Their Own ``Tourist Art''
317(20)
Alexis Bunten
Section Seven Curatorial Authority
337(62)
Living with the Ancestors in an International Contemporary Art World
343(14)
Nick Stanley
Curatorial Authority and Postmodern Representations of African Art
357(14)
Carol Hermer
Native American Art in a Global Context: Politicization as a Form of Aesthetic Response
371(18)
Nancy Marie Mithlo
The Authenticity of Contemporary World Art: Afterword
389(10)
Robert L. Welsch
Contributors 399

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