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| Illustrations | |
| Acknowledgements Quote | |
| Introduction | |
| Labyrinth | |
| Section Introduction | |
| 'The Intertwining - Chiasm' | |
| 'Labyrinthine Complexities: The Ottoman Harem as seen by Western Orientalists' | |
| 'The Blind in the Early Christian World' | |
| 'Sight and Embodiment in the Middle Ages' | |
| 'The Light of Wangarr' | |
| 'Corpore Obscuro: Meditation on the Dead in Thailand' | |
| 'On Longing: The Grotesque' | |
| 'Lifting the Veil: Shared Culture Values of Control' | |
| 'Jacqueline Onassis and the Look-Alike.' | |
| Orderings | |
| Section Introduction | |
| 'Attention and the Values of Nature in the Enlightenment' | |
| 'Scientific Seeing: Commodities, Curiosities, and Anthropological Object' | |
| 'Science, Sight and the Ordering of Colonial Societies' | |
| 'Gossip and the Creation of Cinematic Space' | |
| 'The Films of Fritz Lang' | |
| 'Viewer's View: Looking at Pictures' | |
| 'An Andean Cosmology' | |
| 'Witness of History: Student Photography and Reformasi Politics in Indonesia' | |
| 'The Naming of a Heroine' | |
| Creating | |
| Section Introduction | |
| 'Photography, Elegance and the Aesthetics of Citizenship' | |
| 'Akira Postmodernism and Resistance' | |
| 'Patriotism and Nationalism: The Face of Consensus: Mid-Twentieth Century and the Image of Jesus' | |
| 'The Illumination of Christ in the Kalahari' | |
| 'Quetzalcoatl's Mirror' | |
| 'Photography and the Sound of History' | |
| 'Sound Film - Worthy of the Name' | |
| 'Cinema and History: In Conversation with Youssef Ishaghpour.' | |
| 'Madonna's Revenge" | |
| "A Fascist Theme Park" | |
| Ruptures | |
| Section Introduction | |
| 'The Railway Journey - Panoramic Travel' | |
| 'The Secret of Gas' | |
| 'Supermodernity: From Places to Non-Placed' | |
| 'Camille Pissaro: The Unassuming Eye' | |
| 'The Wicked Queen: Marie-Antoinette' | |
| 'Between Cult and Culture: Bamiyan and Iconoclasm' | |
| 'The Creation of a Tibetan Modernist: The Painting of Gonkar Gyantso' | |
| 'Extraordinary Vision and Two Sides of Cloth' | |
| 'The Spiritual History of Ice' | |
| Extensions | |
| Section Introduction | |
| 'The Eye of the Storm: Visual Perception and the Weather' | |
| 'Basnjom and the Witches' | |
| 'The Cultural reception of Early Russian Cinema' | |
| 'Haptic Cinema' | |
| 'Chris Marker: Memories of the Future' | |
| 'What Do Pictures Want Now? Rural Consumers of Images in India' | |
| 'Surgical Vision and Digital Culture' | |
| 'In the Service of Ben Comun: Visions of Good and Bad Government in Siena' | |
| 'Intimate Immensity'Final Quote | |
| Selected Bibliography | |
| Contributors | |
| Copyright acknowledgements | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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