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9783496028093

Between Indigenous Australia and Europe: John Mawurndjul Art Histories in Context

by ;
  • ISBN13:

    9783496028093

  • ISBN10:

    3496028092

  • Format: Paperback
  • Copyright: 2009-11-01
  • Publisher: Dietrich Reimer Verlag GmbH
  • Purchase Benefits
List Price: $63.95

Summary

Increasingly, Australian Indigenous art is drawing the attention of international audiences, in part because of the amazing stories the artists tell of human creativity. John Mawurndjul is one of several Aboriginal artists whose work is collected and displayed in art museums and galleries throughout the world. As his work is both simultaneously grounded in his country in northern Australia, and internationally, the resulting dual perspective raises basic questions about how art should be viewed and approached in intercultural terms.

Author Biography

Claus Volkenandt, Associate Professor, Institute of Art History, University of Basel and Christian Kaufmann, Lecturer at the Sainsbury Research Unit, University of East Anglia, have gathered together key Australian and international art historians, anthropologists and social scientists in this innovative collection.

Table of Contents

Forewordp. 7
Introductionp. 9
A brief social history of Kuninjku art and the marketp. 19
The local contexts of bark painting
Painted energy: John Mawurndjul and the negotiation of aesthetics in Kuninjku bark paintingp. 31
An arts adviser perspective on producing art for Balandap. 47
Brokering Kuninjku art: a critical perspective on the complex processes of mediating with the marketp. 53
Rarrk on bark: John Mawurndjul's medium of power and beautyp. 61
Identifying contexts of art
Art theory and art discourse across cultures: the Yolngu and Kunwinjku comparedp. 75
Why we need an intercultural art historyp. 103
Intercultural perspective as context: beyond othering and appropriation? The case of John Mawurndjulp. 113
Dilemmata of othernessp. 123
Between Europe and Australia: from local to global
From bark to art: Karel Kupka between Arnhem Land and Baselp. 137
Translating the spectacle: John Mawurndjul's intercultural aestheticp. 161
Art of the Aborigines between new-age mysticism and politicsp. 175
What is local about local art? Contemporary African artists between international art world and local life-worldp. 183
Tomorrow's museums for today's art
30,000 years of Australian art - a neuropsychological approachp. 199
The Creativity Centre: where science meets artp. 211
Rendering visible - new practices for old institutionsp. 217
Recognising Indigenous Australians: a new context for artp. 223
Colour Plates I-XXVIp. 112
List of authorsp. 229
Indexp. 233
Map of Arnhem Landp. 240
Table of Contents provided by Ingram. All Rights Reserved.

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