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9780340807484

Visual Cultures and Critical Theory

by ;
  • ISBN13:

    9780340807484

  • ISBN10:

    0340807482

  • Format: Hardcover
  • Copyright: 2003-07-31
  • Publisher: Bloomsbury Academic

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Summary

"The role of this book is to consider the intersection between visual cultures and the most significant developments in critical theory over the last fifty years. This includes issues and concepts from psychoanalysis, philosophy, cultural theory, postmodernism, feminism, Queer theory, gender studies, and narrative theory. Visual Cultures and Critical Theory aims to provide an interplay between the image and recent developments in the humanities." "Visual Cultures and Critical Theory will provide students with a clear guide for understanding ideas of critical theory through the visual."--BOOK JACKET.

Table of Contents

Acknowledgements vii
A Note on Images viii
Hyperlinks ix
Introduction xi
1 Investing in power and the body: Foucault and the visual 1(21)
INVESTING POWER IN THE IMAGE
1(9)
Questioning the status of the individual: struggles of power
2(5)
Kant and Foucault: investing the power
7(1)
The image: the invitation
8(1)
The subject: the refusal
9(1)
THIS IS NOT A BODY: POWERFUL AND SICK BODIES
10(12)
Powerful bodies
10(3)
Sick bodies
13(1)
Investing power in the imaged body
14(3)
Constructed senses
17(5)
2 Seeing the self in the Baroque mirror: Lacan and the visual 22(21)
The metaphoricity of the mirror
22(3)
The story of the three prisoners
25(2)
The reflecting image and the self
27(1)
St Teresa and the gangsters
28(4)
Narcissism and the ego
32(3)
The Baroque rose kiss
35(2)
The narcissistic erotics of celebrity
37(6)
3 Transgression, abjection and the body: Kristeva and the visual 43(21)
ABJECTION
44(7)
Some terms
45(1)
The unnameable, phobia and revolt
46(2)
Revolt
48(3)
THE BODY
51(8)
The speaking subject in visual culture
51(1)
The body and visual culture
52(2)
The Symbolic order, the speaking subject and the body
54(1)
Questioning the Symbolic: the defect body
55(1)
Corps propre: bodies and abject bodies
56(2)
The unclean
58(1)
THE SÉMIOTIQUE, THE SYMBOLIC, AND VISUAL CULTURES
59(5)
Kristeva's chora: strange space
61(3)
4 From parasitology to spectres: Derrida and the visual 64(22)
LOCATING DERRIDA
64(22)
Parasitology/virology
65(2)
The torment of internal drifting: terrorism
67(2)
At the limit
69(7)
On the double
76(2)
Visibility being eaten away: the spectre and the mirror
78(8)
5 Spectator, culture, image: Barthes and the visual 86(23)
THE SPECTATOR AND CULTURE
87(3)
The canvas: Roland Barthes
87(3)
SEMIOTICS OF THE IMAGE
90(7)
Narrative structures
90(3)
Cultural narratives and the image
93(2)
Punk as cultural narrative
95(1)
Re-viewing the canvas: recognizing codes
96(1)
ACT OF READING AND THE FORMATION OF THE TEXT
97(3)
The rise of the image
97(2)
Fragments and codes
99(1)
READER AND CREATION OF THE IMAGE
100(9)
The spectator and visual culture
100(3)
The social order of the image: seeking pleasure
103(1)
Studium and punctum
104(5)
6 Invisibility and hallucination: the state of the image in the postmodern world 109(20)
The image as rhizome
110(8)
Simulacra
118(5)
Invisibility and the outcast of the image
123(6)
Bibliography 129(4)
Index 133

Supplemental Materials

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