Acknowledgements | p. ix |
Introduction | p. 1 |
The Byzantine Ideal of Beauty: Definitions and Perceptions | p. 8 |
A Byzantine ideal of beauty | p. 8 |
The real and the ideal: Beauty between fact and fiction | p. 14 |
Gender, the image and the mask of beauty | p. 24 |
On the beauty of men 24 | |
Only Skin-Deep: Beauty and Ugliness between Good and Evil | p. 33 |
The varied face of ugliness | p. 34 |
Handsome heroes, ugly villains and other half-truths | p. 39 |
The handsome executioner 42 | |
Beauty is as beauty does? | p. 46 |
Beauty and Power and Beauty as Power | p. 49 |
Beauty as a force of action | p. 49 |
The beautiful body as statue | p. 52 |
The beauty of harmony and symmetry | p. 58 |
The Beauty of Broken Bodies: Pain, Eloquence and Emotion | p. 66 |
The beauty of the dead Christ | p. 67 |
Painting the unsayable | p. 73 |
Beauty and the horror of death | p. 75 |
The beauty of images, rhetoric and the power of emotion | p. 78 |
Angels and Eunuchs: The Beauty of Liminal Masculinity | p. 86 |
The angel's body between word and image | p. 86 |
'Beautiful, blond and resembling the eunuchs of the palace' | p. 93 |
The angel and the Adam's apple | p. 96 |
The beauty of 'eternal springtime' | p. 100 |
Beauty and the captivated gaze | p. 106 |
The Fragile Beauty of Soldiers | p. 116 |
Beautiful soldiers on display | p. 116 |
Between Ares and Eros: Dangerous beauty and the soldier's fragile masculinity | p. 124 |
The unkempt beauty of military masculinity | p. 131 |
Conclusion | p. 136 |
Notes | p. 139 |
List of Illustrations | p. 79 |
Bibliography | p. 175 |
Illustration Sources | p. 190 |
Index | |
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