Acknowledgments | p. 7 |
Introduction | p. 9 |
Genesis of the Film | p. 11 |
An Alternative Cultural Strategy | p. 12 |
History and Fiction | p. 18 |
Carne, Barrault, Prevert - Les veritables auteurs du crime | p. 26 |
The Theatre in Les Enfants du paradis | p. 41 |
The Performer as Hero: Frederick and Debureau | p. 45 |
Theatre as Memory and Repetition | p. 47 |
Gender and Genre: The Politics of Identity | p. 53 |
The Viewer from Flaneur to Voyeur | p. 63 |
The World Turned Upside Down | p. 69 |
Notes | p. 73 |
Credits | p. 76 |
Bibliography | p. 78 |
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