Introduction: Premiere Pro CS3: Good Chemistry | p. xi |
The Visual QuickPro Series | p. xii |
Using This Book | p. xii |
How Premiere Pro CS3 Works | p. xiii |
Editing Strategy: Offline and Online Editing | p. xiv |
DV and Premiere Pro CS3 | p. xvi |
Your Desktop Editing Suite | p. xvi |
Workflow | p. xviii |
New Features | p. xix |
The Digital Video Collection | p. xx |
System Requirements | p. xxi |
Professional System Additions | p. xxii |
System Configurations | p. xxiii |
Premiere Pro CS3 Basics | p. 1 |
Looking at the Interface | p. 2 |
Arranging the Workspace | p. 10 |
Customizing the Workspace | p. 11 |
Optimizing Your Workflow | p. 15 |
Starting a Project | p. 17 |
Starting a Project | p. 18 |
Specifying Project Settings | p. 20 |
Choosing a Project Preset | p. 21 |
Saving Projects | p. 23 |
Opening Projects | p. 25 |
Locating Missing and Offline Files | p. 27 |
Capturing & Importing Footage | p. 31 |
Understanding Capture | p. 32 |
Capturing DV or HDV vs. Digitizing Analog | p. 33 |
Understanding Capture Options | p. 35 |
Using the Capture Panel | p. 36 |
Choosing Capture Settings | p. 38 |
Choosing a Capture Location | p. 40 |
Using Device Control | p. 41 |
Using Playback Controls in the Capture Panel | p. 44 |
Capturing Audio and Video | p. 46 |
Importing Files | p. 58 |
Importing Layered Photoshop Files | p. 60 |
Importing Still-Image Sequences | p. 64 |
Importing Projects | p. 65 |
Importing with Adobe Bridge CS3 | p. 67 |
Creating a Photoshop File | p. 70 |
Generating Synthetic Media | p. 71 |
Managing Clips | p. 75 |
Working with the Project Panel | p. 76 |
Working with Project Panel Views | p. 77 |
Working with Icon View | p. 79 |
Working with List View | p. 80 |
Selecting Items in the Project Panel | p. 83 |
Using the Preview Area of the Project Panel | p. 84 |
Organizing Clips in Bins | p. 86 |
Creating Copies of Source Clips | p. 88 |
Finding Clips | p. 90 |
Interpreting Footage | p. 92 |
Unlinking and Relinking Media | p. 94 |
Using the Project Manager | p. 96 |
Viewing Clips in the Monitor Panels | p. 99 |
Using the Monitor Panels | p. 100 |
Using the Source Monitor | p. 102 |
Opening Audio Clips | p. 104 |
Using Playback Controls | p. 106 |
Cuing Clips Numerically | p. 108 |
Using a Monitors Time Ruler Controls | p. 109 |
Viewing Video Safe Zones | p. 111 |
Choosing a Quality Setting | p. 112 |
Changing the Magnification | p. 113 |
Choosing a Display Mode | p. 114 |
Setting Waveform and Vectorscope Display Options | p. 116 |
Using a Reference Monitor | p. 117 |
Ganging the Source and Program Monitors | p. 118 |
Creating a Sequence | p. 119 |
Comparing Editing Methods | p. 120 |
Setting In and Out Points | p. 123 |
Setting Precise Audio In and Out Points | p. 125 |
Creating Subclips | p. 126 |
Setting Clip Markers | p. 129 |
Cuing to and Clearing Clip Markers | p. 133 |
Specifying Source and Target Tracks | p. 134 |
Comparing Overlay and Insert Edits | p. 135 |
Adding Clips by Dragging | p. 136 |
Editing with Monitor Panel Controls | p. 139 |
Three-Point Editing | p. 140 |
Four-Point Editing | p. 142 |
Performing an Edit Using Monitor Controls | p. 143 |
Lift and Extract | p. 148 |
Storyboard Editing | p. 152 |
Using Multiple Sequences | p. 155 |
Nesting Sequences | p. 157 |
Editing Multiple-Camera Footage | p. 160 |
Editing in the Timeline | p. 169 |
Customizing the Time Ruler | p. 170 |
Customizing Track Views | p. 172 |
Adding, Deleting, and Renaming Tracks | p. 174 |
Monitoring Tracks | p. 176 |
Locking and Unlocking Tracks | p. 177 |
Getting Around the Timeline | p. 178 |
Playing the Sequence in the Timeline | p. 179 |
Cuing to Edits | p. 181 |
Using Sequence Markers | p. 182 |
Selecting Clips in the Timeline | p. 184 |
Grouping Clips | p. 186 |
Deleting Clips and Gaps from the Timeline | p. 187 |
Enabling and Disabling Clips | p. 188 |
Splitting Clips | p. 189 |
Cutting, Copying, and Pasting Clips | p. 191 |
Playing Clips at a Different Speed or in Reverse | p. 192 |
Creating a Freeze Frame | p. 195 |
Refining the Sequence | p. 197 |
Using the Snapping Feature | p. 198 |
Editing by Dragging | p. 200 |
Choosing a Trimming Method | p. 205 |
Trimming Clips in the Timeline | p. 206 |
Making Slip and Slide Edits | p. 209 |
Using the Trim Panel | p. 211 |
Working with Links | p. 217 |
Breaking and Creating Links | p. 219 |
Keeping Sync | p. 220 |
Finding Source Clips and Matching Frames | p. 221 |
Adding Transitions | p. 223 |
The Effects Panel | p. 224 |
Understanding Transitions | p. 225 |
Understanding Transition Duration and Alignment | p. 226 |
Setting the Default Transition | p. 227 |
Applying a Transition | p. 228 |
Using the Effect Controls Panel with Transitions | p. 229 |
Adjusting a Transition's Duration and Alignment | p. 231 |
Customizing Transition Settings | p. 234 |
Previewing a Sequence | p. 237 |
Using Real-Time Rendering | p. 238 |
Viewing a Sequence via a DV Device | p. 239 |
Rendering the Work Area | p. 241 |
Storing Preview Files | p. 243 |
Mixing Audio | p. 245 |
Planning an Audio Mix | p. 246 |
Specifying Audio Hardware Options | p. 248 |
Converting Mono and Stereo Clips | p. 250 |
Adjusting a Clip's Gain | p. 251 |
Creating Cross-Fades with Audio Transitions | p. 252 |
Viewing Audio Data in the Timeline | p. 253 |
Using the Audio Mixer | p. 255 |
Monitoring Tracks in the Audio Mixer | p. 257 |
Recording with the Audio Mixer | p. 258 |
Mixing 5.1 Audio | p. 260 |
Selecting an Automation Mode | p. 262 |
Routing Track Output | p. 264 |
Working with Sends | p. 265 |
Adding Track Effects | p. 268 |
Specifying Audio Keyframe Optimization | p. 272 |
Mixing with the Audio Mixer | p. 273 |
Creating Titles | p. 277 |
The Titler | p. 278 |
Using Title Templates | p. 280 |
Viewing the Video Safe Zones | p. 281 |
Viewing the Video in the Background | p. 282 |
Adjusting Values | p. 283 |
Creating Text Objects | p. 284 |
Creating Path Text | p. 287 |
Selecting Text | p. 288 |
Setting Text Properties | p. 289 |
Using Styles | p. 291 |
Creating Rolls and Crawls | p. 292 |
Creating and Using Shape Objects | p. 294 |
Setting Fill Options | p. 295 |
Setting Stroke Options | p. 296 |
Adding Drop Shadows | p. 299 |
Transforming Objects | p. 300 |
Positioning Objects Automatically | p. 301 |
Arranging Objects | p. 302 |
Aligning Objects | p. 303 |
Distributing Objects | p. 304 |
Using Effects | p. 305 |
Summarizing the Chapter | p. 306 |
Comparing Effect Types | p. 307 |
Setting and Animating Effect Properties | p. 309 |
Viewing Effect Properties | p. 311 |
Viewing Properties in the Timeline Panel | p. 315 |
Viewing Properties in the Effect Controls Panel | p. 317 |
Viewing Motion Effects | p. 320 |
Viewing and Setting Spatial Properties | p. 322 |
Adding Standard Effects | p. 326 |
Disabling and Resetting Effects | p. 328 |
Using Multiple Effects | p. 330 |
Changing Property Values in the Timeline | p. 332 |
Animating Opacity and Volume | p. 334 |
Animating with the Effect Controls Panel | p. 337 |
Editing Keyframes in the Effect Controls Panel | p. 340 |
Working with Time Remapping | p. 344 |
Using Keyframing with Time Remapping | p. 346 |
Working with Effect Presets | p. 349 |
Advanced Effects | p. 353 |
Superimposing Images | p. 354 |
Using Keying Filters | p. 357 |
Using Chrominance-Based Keys | p. 361 |
Using Matte-Based Keys | p. 365 |
Using Garbage Mattes | p. 370 |
Creating Output | p. 371 |
Considering Output Goals | p. 372 |
DVD Export | p. 374 |
Exporting to Tape | p. 378 |
Exporting a Movie File | p. 381 |
Exporting Still-Image Sequences | p. 383 |
Exporting Audio-Only Files | p. 386 |
Using the Adobe Media Encoder | p. 388 |
Exporting with Clip Notes | p. 395 |
Index | p. 403 |
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