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Introduction: Reading the Early Modern Passions | p. 1 |
Early Modern Emotion Scripts | p. 21 |
Against the Rule of Reason: Praise of Passion from Petrarch to Luther to Shakespeare to Herbert | p. 23 |
"Commotion Strange": Passion in Paradise Lost | p. 43 |
Poses and Passions: Mona Lisa's "Closely Folded" Hands | p. 68 |
Compassion in the Public Sphere of Milton and King Charles | p. 89 |
Historical Phenomenology | p. 111 |
Melancholy Cats, Lugged Bears, and Early Modern Cosmology: Reading Shakespeare's Psychological Materialism Across the Species Barrier | p. 113 |
English Mettle | p. 130 |
Hearing Green | p. 147 |
Humoral Knowledge and Liberal Cognition in Davenant's Macbeth | p. 169 |
Five Pictures of Pathos | p. 192 |
Disciplinary Boundaries | p. 215 |
The Passions and the Interests in Early Modern Europe: The Case of Guarini's Il Pastor fido | p. 217 |
Sadness in The Faerie Queene | p. 240 |
"Par Accident": The Public Work of Early Modern Theater | p. 253 |
Strange Alteration: Physiology and Psychology from Galen to Rabelais | p. 272 |
Notes | p. 295 |
List of Contributors | p. 359 |
Index | p. 363 |
Acknowledgments | p. 383 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.