Acknowledgements | p. vii |
Notes on Contributors | p. viii |
Introduction: Film, Television, and the Second World War - The First Fifty Years | p. 1 |
'Rose-tinted Blighty': Gender and Genre in Land Girls | p. 12 |
Policing the People's War: Foyle's War and British Television Drama | p. 26 |
An Autobiographical Allegory: Franco Zeffirelli's Tea With Mussolini | p. 39 |
Soccer with the Dead: Mediterraneo, the Legacy of Neorealismo, and the Myth of Italiani Brava Gente | p. 55 |
Safe Conduct: A Tribute to The French Film Industry During the Second World War | p. 70 |
Aimee, Jaguar and Sophie Scholl: Women on the German Home Front | p. 83 |
'This Film is based on a True Story': The Tuskegee Airmen | p. 94 |
'What Happened was Wrong': Come See the Paradise and the Japanese-American Experience in the Second World War | p. 105 |
Commissioning Mass Murder: Conspiracy and History at the Wannsee Conference | p. 119 |
Laughing Against Horror: Life is Beautiful and Train of Life | p. 134 |
Enemy at the Gates as a 'Soviet' War Film | p. 148 |
Bomber Harris: Raking Through the Ashes of the Strategic Air Campaign Against Germany | p. 162 |
Realism, Historical Truth and the War Film: The Case of Saving Private Ryan | p. 177 |
Downfall and Other Endings: German Film and Hitler's War after Sixty Years | p. 192 |
Notes and References | p. 205 |
Index | p. 232 |
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