Preface | p. 1 |
Some Principles | p. 7 |
Section I | p. 14 |
Bing, the Chairman, and the King | p. 15 |
Section II | p. 37 |
Why 1954-1964? | p. 38 |
Media Interplay and Its Implications for Youth Culture | p. 42 |
Socio-Ethnic Origins of the Performers and Entrepreneurs | p. 52 |
The Beginnings of Secularization in Black Music | p. 59 |
Cover Records | p. 65 |
Electric Guitars, Chuck Berry, and Buddy Holly | p. 70 |
The East Coast Rises Again | p. 83 |
Detroit Rises for the First Time | p. 92 |
California Rises for the First Time | p. 103 |
Section III | p. 110 |
What Happened in the Sixties? | p. 111 |
On Beatlemania | p. 136 |
Dylan's Words in Freedom | p. 148 |
High Culture as Popular Culture | p. 178 |
Sergeant Pepper | p. 191 |
Anxious Beatles | p. 200 |
Mid-Atlantic Stones | p. 207 |
But What about Am Radio? | p. 220 |
The Erotic Politicians of the Woodstock Nation | p. 227 |
A Few Good Words for the Seventies | p. 241 |
Tradition and Apple Pie | p. 250 |
The Strands of Tapestry | p. 255 |
Rock Starts to Compete with Television | p. 259 |
A New Jersey Outlaw | p. 274 |
High Culture as Popular Culture, II | p. 286 |
How the Other Half Rocks | p. 294 |
Section IV | p. 302 |
Disco, a New Beginning | p. 303 |
Punk: the Other Side of Disco | p. 315 |
Michael Jackson and MTV | p. 324 |
Coda | p. 339 |
Index | p. 343 |
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