All that Heaven Allows: Breath. Passages. Between Cinema and Art | p. 6 |
Can Films Be Friends? | p. 42 |
On Matthias Muller's Logic of Appropriation | p. 66 |
Distant Proximity: Tracking the Sounds of Matthias Muller's Films | p. 106 |
"We Only Dream of Places": -Matthias Muller's Spaces | p. 140 |
Life in the Present Tense: Matthias Muller and the Peripheries of the Autobiographical Aesthetic | p. 168 |
That Warm Night in the Park | p. 208 |
A Conversation | p. 218 |
"Hey Matthias" | p. 272 |
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