Preface | |
Acknowledgements | |
Introduction | p. 3 |
Preparing the Body | p. 17 |
Awareness | p. 22 |
Articulation | p. 25 |
Energy | p. 27 |
Neutrality | p. 32 |
(Un)Masking the Actor | p. 43 |
Working with masks: neutral mask | p. 52 |
Working with masks: character masks | p. 58 |
Commedia dell'arte | p. 61 |
Working with masks: commedia | p. 64 |
The Playful Body | p. 69 |
The body | p. 72 |
The body in space | p. 79 |
Presence | p. 84 |
Complicite | p. 88 |
Play | p. 94 |
Audience | p. 103 |
The Sentient Body | p. 115 |
Rhythm | p. 118 |
Sound | p. 132 |
E-motion | p. 148 |
Devising | p. 157 |
Starting points and process | p. 163 |
Image and gesture | p. 173 |
Generating text | p. 179 |
Structuring text | p. 184 |
The Physical Text | p. 195 |
Imag(in)ing text | p. 201 |
Dealing with words | p. 205 |
Character | p. 211 |
Appendix | p. 217 |
Endnotes | p. 219 |
Bibliography | p. 235 |
Index | p. 239 |
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